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9781009418683

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'For nearly two hundred years West Europeans had a collection of images of a society both familiar and different, a familiarity reinforced by the images of the much more alien forest and steppe peoples of Russia's frontiers. Nancy Kollmann shows how extensively these images circulated, and how their use says as much about the European print market as it does about Russia. That conclusion is an important correction to the common idea that European accounts of Russia and the accompanying images are nothing more than the construction of an image of an exotic neighbor.' Paul Bushkovitch, Yale University 'In this innovative study, Nancy Kollmann enhances our understanding of Western knowledge of Muscovy by examining not only the printed texts of travellers' accounts, but also the illustrations that accompanied them. The book will be of great interest to historians of European publishing as well as to Russianists.' Maureen Perrie, University of Birmingham 'Moving between sumptuous courts and inky printshops, Visualizing Russia in Early Modern Europe tells the engaging story of an ocular relationship, a way of seeing, that connects two close yet distant neighbors. With Nancy Kollmann's expert guidance, we learn not only how Europe saw Russia but even more how Europeans saw themselves during a momentous and changing time.' Willard Sunderland, University of Cincinnati 'Kollmann expertly demonstrates writers' varying views of Muscovy and its steppes and borderland regions based on their preconceptions and their commitment to obtaining direct (or reliable eyewitness) information rather than relying on tropes … The impressive listing of the primary and secondary sources is the basis for Kollmann's solid conclusions … Recommended.' R. T. Ingoglia, Choice

'For nearly two hundred years West Europeans had a collection of images of a society both familiar and different, a familiarity reinforced by the images of the much more alien forest and steppe peoples of Russia's frontiers. Nancy Kollmann shows how extensively these images circulated, and how their use says as much about the European print market as it does about Russia. That conclusion is an important correction to the common idea that European accounts of Russia and the accompanying images are nothing more than the construction of an image of an exotic neighbor.' Paul Bushkovitch, Yale University 'In this innovative study, Nancy Kollmann enhances our understanding of Western knowledge of Muscovy by examining not only the printed texts of travellers' accounts, but also the illustrations that accompanied them. The book will be of great interest to historians of European publishing as well as to Russianists.' Maureen Perrie, University of Birmingham 'Moving between sumptuous courts and inky printshops, Visualizing Russia in Early Modern Europe tells the engaging story of an ocular relationship, a way of seeing, that connects two close yet distant neighbors. With Nancy Kollmann's expert guidance, we learn not only how Europe saw Russia but even more how Europeans saw themselves during a momentous and changing time.' Willard Sunderland, University of Cincinnati

Author Information

Nancy Kollmann is the William H. Bonsall Professor in History at Stanford University. Kollmann's research focuses on Russia in the early modern period, and she holds particular interests in politics, law, empire in action, and the role of the visual. Previous publications include The Russian Empire 1450-1801 (2017) and Crime and Punishment in Early Modern Russia (Cambridge, 2012).

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