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OverviewFirst published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto. Many of the writers considered are unfamiliar today, but they express the accepted views on music, opera, and singing that dominated a particularly insular tradition. This title will be of interest to students of Italian and Music History. Full Product DetailsAuthor: Simon MaguirePublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9781138366015ISBN 10: 1138366013 Pages: 232 Publication Date: 01 June 2020 Audience: General/trade , College/higher education , General , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction 2. The Aesthetic Roots of Italian Opera in the Early Nineteenth Century 3. The Role of the Singer on the Stage 4. Poetry and Drama in the Libretto 5. The Constitution of the Orchestra and its Place in the Melodramma 6. The Heritage of the Bel Canto; Bibliography; IndexReviewsAuthor InformationSimon Maguire Tab Content 6Author Website:Countries AvailableAll regions |