Awards

• Winner of Winner, 2012 Robert Lowry Patten Award 2012

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9780691149844

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Reviews

Winner of the 2012 Robert Lowry Patten Award, SEL Studies in English Literature 1500-1900, Rice University [I]mmensely scholarly, highly-entertaining and broad-ranging... Goldhill's timescale offers a new and contentious definition of the term 'Victorian', stretching from 1760 to the 1980s. --Jane Thomas, Times Higher Education Supplement [G]ripping ... -- Literary Review Simon Goldhill, a professor at Cambridge, is a leading expert on Greek literature and culture; if you want to know more about the world of Aeschylus and Euripides, Goldhill is your man. --Daniel Snowman, Literary Review Using reception theory, Goldhill examines paintings, operas, and novels produced in Europe that appropriate stories from the ancient Greeks, Romans, and Hebrews. He shows how artists and writers retold these ancient stories to further their political and religious agendas. The author is persuasive in arguing that in the 19th century the classics were used to bolster an agenda of anti-Semitism, setting the state for WW II. The book contains beautiful color plates and also black-and-white photos showing works of art of the period and poses drawn from classical statuary... The book is well written and the thesis well worth development. -- Choice [T]he book is of interest from a Wagnerian perspective in the insight it offers into the concerns of a society contemporary with Wagner and just across the water... In its main topics, the painting and historical novel of Britain in the 19th century, this book is an eye-opener in its fascinating material and its approach. --Michael Dyson, Wagner Journal In its scope and verve, Victorian Culture and Classical Antiquity clearly signals just how far reception studies has come within the field of classics, but remains, as well, a timely reminder of just how far we have to go if we are to achieve a true, lasting, and abiding interdisciplinarity. --Thomas E. Jenkins, New England Classic Journal [O]ne of the many virtues of Goldhill's work ... is his ability to draw connections across centuries. --William Baker, Years Work in English Studies [T]his is an extremely good book. If it finds the readership it deserves, this volume, which is at once humane and scholarly in its historical account of culture and its vicissitudes, will not only illuminate central issues in Victorian culture; it will also open up new lines of research while closing off fruitless lines of generalization about the classics in the nineteenth century. --Jonah Siegel, Victorian Studies This is certainly an important and well researched book. Above all, it provides a valuable reminder to those working in classical reception studies of the importance of historicity. --H. Ellis, English Historical Review

[I]mmensely scholarly, highly-entertaining and broad-ranging... Goldhill's timescale offers a new and contentious definition of the term 'Victorian', stretching from 1760 to the 1980s. -- Jane Thomas, Times Higher Education Supplement [G]ripping ... -- Literary Review

Winner of the 2012 Robert Lowry Patten Award, SEL Studies in English Literature 1500-1900, Rice University [I]mmensely scholarly, highly-entertaining and broad-ranging... Goldhill's timescale offers a new and contentious definition of the term 'Victorian', stretching from 1760 to the 1980s. --Jane Thomas, Times Higher Education Supplement [G]ripping ... --Literary Review Simon Goldhill, a professor at Cambridge, is a leading expert on Greek literature and culture; if you want to know more about the world of Aeschylus and Euripides, Goldhill is your man. --Daniel Snowman, Literary Review Using reception theory, Goldhill examines paintings, operas, and novels produced in Europe that appropriate stories from the ancient Greeks, Romans, and Hebrews. He shows how artists and writers retold these ancient stories to further their political and religious agendas. The author is persuasive in arguing that in the 19th century the classics were used to bolster an agenda of anti-Semitism, setting the state for WW II. The book contains beautiful color plates and also black-and-white photos showing works of art of the period and poses drawn from classical statuary... The book is well written and the thesis well worth development. --Choice [T]he book is of interest from a Wagnerian perspective in the insight it offers into the concerns of a society contemporary with Wagner and just across the water... In its main topics, the painting and historical novel of Britain in the 19th century, this book is an eye-opener in its fascinating material and its approach. --Michael Dyson, Wagner Journal In its scope and verve, Victorian Culture and Classical Antiquity clearly signals just how far reception studies has come within the field of classics, but remains, as well, a timely reminder of just how far we have to go if we are to achieve a true, lasting, and abiding interdisciplinarity. --Thomas E. Jenkins, New England Classic Journal [O]ne of the many virtues of Goldhill's work ... is his ability to draw connections across centuries. --William Baker, Years Work in English Studies [T]his is an extremely good book. If it finds the readership it deserves, this volume, which is at once humane and scholarly in its historical account of culture and its vicissitudes, will not only illuminate central issues in Victorian culture; it will also open up new lines of research while closing off fruitless lines of generalization about the classics in the nineteenth century. --Jonah Siegel, Victorian Studies This is certainly an important and well researched book. Above all, it provides a valuable reminder to those working in classical reception studies of the importance of historicity. --H. Ellis, English Historical Review

Author Information

Simon Goldhill is professor of Greek literature and culture and fellow and director of Studies in Classics at King's College, University of Cambridge. His many books include Love, Sex, and Tragedy: How the Ancient World Shapes Our Lives.

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