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9781501322778

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An intellectually bracing, beautifully written exploration of an item of clothing all too freighted with meaning. Molly Crabapple, artist, journalist, and author of Drawing Blood (2015)

An intellectually bracing, beautifully written exploration of an item of clothing all too freighted with meaning. * Molly Crabapple, artist, journalist, and author of Drawing Blood (2015) * Rafia Zakaria's Veil shifts the balance away from white secular Europe toward the experience of Muslim women, mapping the stereotypical representations of the veil in Western culture and then reflecting, in an intensely personal way, on the many meanings that the veil can have for the people who wear it ... Zakaria's more personal, philosophical approach is intended to contest the singular meaning that the veil has acquired in much of the West. By exploring the subjective experiences of the veil, we begin to see how both wearing it and not wearing it have profound psychic resonances for those who make these choices, as well as for those who regard it with hostility or even just curiosity ... [Veil is] useful and important, providing needed insight and detail to deepen our understanding of how we got here-a necessary step for thinking about whether and how we might be able to move to a better place. * Joan W. Scott, The Nation *

An intellectually bracing, beautifully written exploration of an item of clothing all too freighted with meaning. * Molly Crabapple, artist, journalist, and author of Drawing Blood (2015) *

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Rafia Zakaria is an attorney, political philosopher, and a columnist for DAWN Pakistan. She is a frequent contributor to the Los Angeles Review of Books, The Nation, Aeon, Guernica, the New York Times, among other publications. Her book The Upstairs Wife: An Intimate History of Pakistan (2015) received acclaim in the New York Times, NPR, Ms. Magazine. Christian Science Monitor,The Boston Globe, The Toronto Star, Bustle, Hindustan Times, DNA India, Indian Express, Calcutta Statesman, Dissent and The Nation.

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