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OverviewFull Product DetailsAuthor: Sarah Milroy , Ian A. C. DejardinPublisher: Philip Wilson Publishers Ltd Imprint: Philip Wilson Publishers Ltd Dimensions: Width: 24.00cm , Height: 1.80cm , Length: 28.40cm Weight: 1.185kg ISBN: 9781781300510ISBN 10: 1781300518 Pages: 208 Publication Date: 30 January 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsDirector’s Foreword Preface – Ian A.C. Dejardin Some Rough Eloquence – Sarah Milroy Between London and Paris – Hana Leaper Catalogue Among Friends Vanessa, Virginia and the Modern Portrait – Frances Spalding Design and Experimentation A Moment in Abstraction – Grace Brockington Still Life Love, Actually – Regina Marler At Home Domestic Modernism – Christopher Reed Landscape The First Winter – Darren Clarke Blue & Green – Virginia Woolf Landscapes Near and Far – Julian Bell Pictures of Women A Conversation – Corin Sworn Vanessa Bell’s Late Self-Portraits – Richard Shone Legacy Photographs by Patti Smith Scholarly Debts and Personal Thanks – Sarah Milroy List of Works Photo Credits ContributorsReviewsIf Bell's work is put together on its own, and not in the shadows of her friends, it shows her to be a significant and exciting artist. This new show, the largest so far dedicated solely to her, has amassed an impressing collection of these works - around 70 paintings, plus artifacts of all kinds - and makes a convincing case for her historical re-evaluation.</p>--The Globe and Mail (03/07/2017) If Bell's work is put together on its own, and not in the shadows of her friends, it shows her to be a significant and exciting artist. This new show, the largest so far dedicated solely to her, has amassed an impressing collection of these works - around 70 paintings, plus artifacts of all kinds - and makes a convincing case for her historical re-evaluation. --The Globe and Mail (03/07/2017) Author InformationSarah Milroy is the former editor and publisher of Canadian Art magazine and a co-founder of the Canadian Art Foundation. From 2001 to 2010, she served as chief art critic of the Globe and Mail. Sarah co-curated From the Forest to the Sea: Emily Carr in British Columbia with Ian AC Dejardin in 2015. Ian AC Dejardin is Executive Director of the McMichael Canadian Art Collection. He has previously curated the Painting Canada series: Tom Thomson and the Group of Seven (2011) and From the Forest to the Sea (as above) with Sarah Milroy. Tab Content 6Author Website:Countries AvailableAll regions |