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OverviewMadoff rethinks modernism—from Wagner to Duchamp, Dada to the Bauhaus—for our present era of network culture For more than a century, European modernist art has been written about as a profound expression of fragmentation—of an alienated world in pieces. In this book, critic and curator Steven Henry Madoff proposes that there was always another artistic intention present among the modernists that offered visions of wholeness in the face of anomie brought on by wars and new technologies. From the mid-nineteenth century, when Richard Wagner championed his idea of the Gesamtkunstwerk (the total work of art), to the rise of the Bauhaus out of the ruins of World War I as the most influential art school of the twentieth century, the urge to connect different art forms into single, unified works points toward our own omnipresent culture of networks and has given rise, over the last sixty years, to such artistic practices as installation and performance art that also combine many kinds of art into one—dreams of interconnectivity binding disparate elements together. Using the contemporary lens of network aesthetics to rethink the artworks of some of the towering figures of European modernism, including Paul Cézanne, Marcel Duchamp, Hugo Ball, and Walter Gropius, this book revises standard readings of this historical art, providing not only a way to more deeply understand the art of the present, but also as a way to look at and reimagine our own society in a time of increasingly divisive turmoil. Full Product DetailsAuthor: Steven Henry MadoffPublisher: Stanford University Press Imprint: Stanford University Press Edition: New edition ISBN: 9781503642294ISBN 10: 1503642291 Pages: 272 Publication Date: 21 October 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviews""From Wagner and Cézanne to Duchamp, Hugo Ball, and Walter Gropius, Madoff's thought-provoking reassembly of modernism--with sensory interludes to match--mines multidimensional history-space to yield surprisingly new nodes of connection between perceiving publics and the art that enmeshes them."" --Caroline A. Jones, MIT ""This ambitious rethinking of modernist art highlights several of its concepts--including assemblage, totality, interdisciplinarity, system, collectivity, and of course network--that prefigure contemporary interdisciplinary art."" --Patrick Jagoda, University of Chicago Author InformationSteven Henry Madoff is the founding chair of the Masters in Curatorial Practice program at the School of Visual Arts in New York and a former senior critic at Yale University's School of Art. His writing has been translated into many languages and he lectures internationally on contemporary art and education. Tab Content 6Author Website:Countries AvailableAll regions |
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