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OverviewFull Product DetailsAuthor: Carol Vernallis (Lecturer in Media Studies, Lecturer in Media Studies, Stanford University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.10cm , Height: 2.00cm , Length: 15.50cm Weight: 0.522kg ISBN: 9780199767007ISBN 10: 0199767009 Pages: 368 Publication Date: 14 November 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of Contents"Introduction I. New Digital Cinema 1. The New Cut-Up Cinema 2. The Audiovisual Turn and Post-Classical Cinema 3. Music Video into Post-Classical Cinema 4. Moulin Rouge: Delirious Cinema 5. Music Video, Songs, Sound: Eternal Sunshine of the Spotless Mind 6. Reciprocity, Bollywood and Music Video: Mani Ratnam's Dil Se and Yuva II. YouTube 7. YouTube Aesthetics 8. Audiovisual Change: Viral Web Media and the Obama Campaign 9. Refiguring Music Video: Beyoncé's ""Video Phone"" III. Music Video 10. Music Video's Second Aesthetic? 11. Digital Style: Francis Lawrence and Dave Meyers 12. A Music Video Canon? Afterword: Accelerated Aesthetics: a New Lexicon of Time, Space and Rhythm Index"ReviewsCarol's in-depth analysis of music-video culture and its fate is an eye-opening look into pop culture. It is an engrossing and thought-provoking read-worth checking out. * Jonas Akerlund, director of Spun, Small Apartments, Beyonce's Haunted and Superpower, and Lady Gaga's Paparazzi and Telephone . * Full of flair, unexpected twists and non-linear asides, Unruly Media resembles the unique flow of new audiovisual media, inviting the reader to assemble the parts herself and become part of this post-classical scholarship. * Twentieth Century Music * Carol Vernallis's work on soundtracks in digital media seems to me the most exciting commentary on sound/image relationship since Michel Chion's Voice in Cinema. When I read one of Carol's virtuoso treatments of moment-to-moment musical shaping of image reception, I often feel that I have barely attended to sound components at all. Her jazzy prose has an exultant, frequently hallucinatory vividness that takes you all the way in to whatever experience she's describing. It is rare to find film (much less music video) criticism that delights and instructs, as Carol's does, in equal measure. * George Toles, University of Manitoba * Carol Vernallis was already the best scholar of music video, and I've waited eagerly for this new book. In Unruly Media she offers a sharp, ground-breaking account of what happens when the boundaries between film, video and digital media are criss-crossed in a myriad of interesting ways. * Will Straw, Professor of Art History and Communication Studies, McGill University * Unruly Media is ambitious in scope yet is written with a lightness of touch. Vernallis guides us through music video, YouTube, and digital cinema, tackling the rewards and challenges of their mutually-influencing 'accelerated aesthetic'. An insightful and original study. * Caryl Flinn, Professor of Screen Arts and Cultures, University of Michigan * Unruly Media is ambitious in scope yet is written with a lightness of touch. Vernallis guides us through music video, YouTube, and digital cinema, tackling the rewards and challenges of their mutually-influencing 'accelerated aesthetic'. An insightful and original study. --Caryl Flinn, Professor of Screen Arts and Cultures, University of Michigan Carol Vernallis was already the best scholar of music video, and I've waited eagerly for this new book. In Unruly Media she offers a sharp, ground-breaking account of what happens when the boundaries between film, video and digital media are criss-crossed in a myriad of interesting ways. -Will Straw, Professor of Art History and Communication Studies, McGill University Carol Vernallis's work on soundtracks in digital media seems to me the most exciting commentary on sound/image relationship since Michel Chion's Voice in Cinema. When I read one of Carol's virtuoso treatments of moment-to-moment musical shaping of image reception, I often feel that I have barely attended to sound components at all. Her jazzy prose has an exultant, frequently hallucinatory vividness that takes you all the way in to whatever experience she's describing. It is rare to find film (much less music video) criticism that delights and instructs, as Carol's does, in equal measure. --George Toles, University of Manitoba Full of flair, unexpected twists and non-linear asides, Unruly Media resembles the unique flow of new audiovisual media, inviting the reader to assemble the parts herself and become part of this post-classical scholarship. --Twentieth Century Music Author InformationCarol Vernallis is the author of Experiencing Music Video: Aesthetics and Cultural Context (2004) and co-editor of The Oxford Handbook of New Audiovisual Aesthetics (2013) and The Oxford Handbook of Sound and Image in Digital Media (2013). She teaches Film and Media Studies at Stanford University. Tab Content 6Author Website:Countries AvailableAll regions |