Unmanning: How Humans, Machines and Media Perform Drone Warfare

Author:   Katherine Chandler
Publisher:   Rutgers University Press
ISBN:  

9781978809741


Pages:   190
Publication Date:   13 March 2020
Recommended Age:   From 18 to 99 years
Format:   Paperback
Availability:   In Print   Availability explained
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Unmanning: How Humans, Machines and Media Perform Drone Warfare


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Author:   Katherine Chandler
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.002kg
ISBN:  

9781978809741


ISBN 10:   1978809743
Pages:   190
Publication Date:   13 March 2020
Recommended Age:   From 18 to 99 years
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare. --Caren Kaplan author of Aerial Aftermaths: Wartime from Above In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting. --Lucy Suchman author of Human-Machine Reconfigurations Drone theory tends to replicate the god's eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human-machine-media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book. --Paul K. Saint-Amour author of Tense Future: Modernism, Total War, Encyclopedic Form


In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting. --Lucy Suchman author of Human-Machine Reconfigurations Drone theory tends to replicate the god's eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human-machine-media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book. --Paul K. Saint-Amour author of Tense Future: Modernism, Total War, Encyclopedic Form This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare. --Caren Kaplan author of Aerial Aftermaths: Wartime from Above


Drone theory tends to replicate the god's eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human-machine-media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book. --Paul K. Saint-Amour author of Tense Future: Modernism, Total War, Encyclopedic Form In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting. --Lucy Suchman author of Human-Machine Reconfigurations This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare. --Caren Kaplan author of Aerial Aftermaths: Wartime from Above


"""This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare.""   — Caren Kaplan, author of Aerial Aftermaths: Wartime from Above ""In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting.""— Lucy Suchman, author of Human-Machine Reconfigurations ""Drone theory tends to replicate the god’s eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human–machine–media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book.""— Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form ""As the iconographic technologies of drone warfare become history and more secretive, varied, and autonomous technologies take their place, critically examining the long history of failure that led to the unmanning of war is an urgent task that Chandler’s book meets head-on and with an accuracy and efficacy that her objects of analysis fell far short of achieving.""— Cultural Studies ""While focused primarily on drone warfare, Chandler’s book – in its investigations into failure, human/machine relations, and threat production – points perhaps also to ways of thinking about how politics is denied and disavowed in other techniques of state violence like policing.""— Security and Dialogue ""Unmanning makes a useful contribution by dispelling the illusion of unmanned warfare. Central to this illusion are the 'politics of disavowal.' The very term 'unmanned' is a disavowal, or an attempted negation, that separates the human, machine, and media components of drone technology. Moreover, it disconnects machine action from political accountability to create a veneer of deniability and non-attribution.""— Technology and Culture ""[I]f there is a lesson to be learnt from Chandler’s brilliant book it is that the arc of the drone bends not toward justice, but failure, and contemporary experiments in drone warfare that fail do not so much crash, go haywire, or plummet into the sea. Instead, they maim, kill, and destroy, and disavow these acts as techno-mechanical progress.""— Antipode Online ""Chandler’s book both invites the wider geographical deployment of this approach and reminds us that while contemporary drone development and discourse so often appear future-orientated, much can be learned from the platform’s plural histories.""— Law, Culture and the Humanities ""[I]f there is a lesson to be learnt from Chandler’s brilliant book it is that the arc of the drone bends not toward justice, but failure, and contemporary experiments in drone warfare that fail do not so much crash, go haywire, or plummet into the sea. Instead, they maim, kill, and destroy, and disavow these acts as techno-mechanical progress.""— Antipode Online ""This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare.""   — Caren Kaplan, author of Aerial Aftermaths: Wartime from Above ""In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting.""— Lucy Suchman, author of Human-Machine Reconfigurations ""Drone theory tends to replicate the god’s eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human–machine–media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book.""— Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form ""As the iconographic technologies of drone warfare become history and more secretive, varied, and autonomous technologies take their place, critically examining the long history of failure that led to the unmanning of war is an urgent task that Chandler’s book meets head-on and with an accuracy and efficacy that her objects of analysis fell far short of achieving.""— Cultural Studies ""Chandler’s book both invites the wider geographical deployment of this approach and reminds us that while contemporary drone development and discourse so often appear future-orientated, much can be learned from the platform’s plural histories.""— Law, Culture and the Humanities ""While focused primarily on drone warfare, Chandler’s book – in its investigations into failure, human/machine relations, and threat production – points perhaps also to ways of thinking about how politics is denied and disavowed in other techniques of state violence like policing.""— Security and Dialogue ""Unmanning makes a useful contribution by dispelling the illusion of unmanned warfare. Central to this illusion are the 'politics of disavowal.' The very term 'unmanned' is a disavowal, or an attempted negation, that separates the human, machine, and media components of drone technology. Moreover, it disconnects machine action from political accountability to create a veneer of deniability and non-attribution.""— Technology and Culture"


Drone theory tends to replicate the god's eye view enjoyed by its object. Katherine Fehr Chandler bucks this trend, grounding her new theory of 'unmanned' aerial vehicles in their wayward and failure-ridden history as human-machine-media assemblages. The effacement of that history, Chandler argues, is what allowed drones to assume their current role: as sleek, agential means for disavowing both the responsibility of their wielders and the humanity of their targets. Unmanning is a timely and fascinating book. --Paul K. Saint-Amour author of Tense Future: Modernism, Total War, Encyclopedic Form In Unmanning, Katherine Chandler offers a compelling history of the drone that complicates and deepens our understanding of what is at stake in the performative rhetoric that fuels the automation of US military air power. This book is an invaluable resource for everyone concerned with the erasures of human agencies that enable claims for technical autonomy in contemporary warfighting. --Lucy Suchman author of Human-Machine Reconfigurations This book makes a much-needed intervention into the popular discourses that surround drone warfare today. Drawing on extensive archival research, Unmanning offers detailed histories that deconstruct the most persistent mythologies of air war in general and automated and distance weaponry in particular to offer completely new perspectives on one of the most significant technological trends in contemporary warfare. --Caren Kaplan author of Aerial Aftermaths: Wartime from Above


Author Information

Katherine Fehr Chandler is an assistant professor in the Culture and Politics Program at the Walsh School of Foreign Service, Georgetown University. She received her PhD in rhetoric from the University of California, Berkeley.  

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