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OverviewFull Product DetailsAuthor: Dominic JohnsonPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 15.60cm , Height: 1.40cm , Length: 23.40cm Weight: 0.503kg ISBN: 9780719091605ISBN 10: 0719091608 Pages: 232 Publication Date: 28 December 2018 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Performance – action – extremity 1 The preferred ordeal 2 A criminal touch 3 The dirtying intention 4 Impossible things 5 The art of sabotage Conclusion: Reckless people Index -- .Reviews'A deeply fascinating, wide ranging and hard-thinking book about material often seen as difficult or extreme . If I wanted one single guide who could reliably lead me through material which is so often misrepresented, I'd turn to Dominic Johnson, who surely is one of the most astute, knowledgeable and hard-thinking commentators on contemporary performance practices.' Simon Shepherd, Professor Emeritus of Theatre, CSSD, The University of London 'With Unlimited action: The performance of extremity in the 1970s Dominic Johnson brings his incisive mind to 1970s performances that point to or beyond art's (and the body's) limits. The book is invaluable in expanding our understanding of the work of key artists, including Ulay and Anne Bean, but also in addressing how extreme performances echo and amplify the volatile political texture of US and UK societies in a key decade for the expansion of contemporary art beyond the object.' Amelia Jones, Robert A. Day Professor, Roski School of Art and Design, University of Southern California 'Dominic Johnson's work engages performance art of the 1970s that sought to defy conventional notions of life and art. The case studies within each chapter form a sort of history. Not a linear narrative, but rather, a constellation of extremities that revel in their distance from the institutional frameworks that contextualize each performance.' The Drama Review -- . 'A deeply fascinating, wide ranging and hard-thinking book about material often seen as difficult or extreme . Dominic Johnson is one of the most reliable, best informed and smartest of today's performance specialists ... If I wanted one single guide who could reliably lead me through material which is so often misrepresented I'd turn to Dominic Johnson ... An exciting and enlightening book about extreme material written by a very smart man.' Simon Shepherd, Professor Emeritus of Theatre, CSSD, The University of London -- . 'A deeply fascinating, wide ranging and hard-thinking book about material often seen as difficult or extreme . If I wanted one single guide who could reliably lead me through material which is so often misrepresented, I'd turn to Dominic Johnson, who surely is one of the most astute, knowledgeable and hard-thinking commentators on contemporary performance practices.' Simon Shepherd, Professor Emeritus of Theatre, CSSD, The University of London -- . 'A deeply fascinating, wide ranging and hard-thinking book about material often seen as difficult or extreme . If I wanted one single guide who could reliably lead me through material which is so often misrepresented, I'd turn to Dominic Johnson, who surely is one of the most astute, knowledgeable and hard-thinking commentators on contemporary performance practices.' Simon Shepherd, Professor Emeritus of Theatre, CSSD, The University of London 'With Unlimited action: The performance of extremity in the 1970s Dominic Johnson brings his incisive mind to 1970s performances that point to or beyond art's (and the body's) limits. The book is invaluable in expanding our understanding of the work of key artists, including Ulay and Anne Bean, but also in addressing how extreme performances echo and amplify the volatile political texture of US and UK societies in a key decade for the expansion of contemporary art beyond the object.' Amelia Jones, Robert A. Day Professor, Roski School of Art and Design, University of Southern California -- . Author InformationDominic Johnson is a Reader in Performance and Visual Culture in the School of English and Drama at Queen Mary University of London Tab Content 6Author Website:Countries AvailableAll regions |