Understanding the Public Sector in Egyptian Cinema: A State Venture: Cairo Papers in Social Science Vol. 35, No. 3

Author:   Tamara Chahine Maatouk
Publisher:   American University in Cairo Press
ISBN:  

9781649032287


Pages:   104
Publication Date:   04 June 2024
Format:   Paperback
Availability:   Available To Order   Availability explained
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Understanding the Public Sector in Egyptian Cinema: A State Venture: Cairo Papers in Social Science Vol. 35, No. 3


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Author:   Tamara Chahine Maatouk
Publisher:   American University in Cairo Press
Imprint:   American University in Cairo Press
ISBN:  

9781649032287


ISBN 10:   1649032285
Pages:   104
Publication Date:   04 June 2024
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Abbreviations 1 Introduction 2 The Emergence of the Public Sector in Egyptian Cinema, 1957–1962 Historical Background: State Management of Cinema Affairs Cinematic Awakening by Circumstance CSI Established: Toward a Public Sector in Egyptian Cinema CSI Reorganized: From a Cinema Supporter to a Film Co-Producer Conclusion 3 The Expansion of the Public Sector in Egyptian Cinema, 1963–1966 Triggers for Change The Birth of a New Era of State Involvement in the Film Industry The Public Sector Expanded: To the Rescue Conclusion 4 The End of the Public Sector in Egyptian Cinema, 1966–1971 A Struggling GEICRT: Between Inherent Problems, External Problems, and Unexpected Complications The GEICRT Reorganized: Prevailing over Difficulties On the Heels of the Defeat The Dissolution of the GEIC 5 Conclusion Appendix References About the Author

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Tamara Maatouk is a history PhD student at the Graduate Center, City University of New York, with a focus on the modern Middle East. She is interested in both the interpenetration between Egyptian cinema and twentieth-century politics as well as the use of films as a serious vehicle for understanding, conceptualizing, and reconstructing the past.

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