Overview

"""Understanding Screenwriting"" dissects 21 successful and unsuccessful screenplays. It analyzes why certain aspects of a screenplay work and others do not.This is an opinionated book, not in any way meant to be a comprehensive survey. Like any opinionated book, especially one aimed at students, this one rises or falls on the sure-handedness of the author. Stempel is engaging, responsible and level-headed. ""This book isn't about me, it's about you"" is the way it begins. ""I am a teacher, not a guru. As a wise teacher once said, with a guru it is all about the guru - his vision and the students' loyalty to him. Whereas with a teacher, it is all about the students learning...You should be reading this book because you, as screenwriters, directors, producers, development executives, critics, historians, students in those disciplines, and just plain movie fans want to learn about screenplays."" Above all, Stempel gets the reader to see as well as to think as budding screenwriters.There are 21 films discussed at length along with 52 short bits. What Stempel has attempted is a cross-section: adventure, sci fi, horny-teenage, romantic comedy, history - films mostly of large budgets that many people would have seen. To give a few examples, Stempel looks at how the script of ""Lawrence of Arabia"" varies from the source; ""Rear Window"", further discusses screenplay adaptations; in ""Fargo"": he asks why a screenwriter would introduce a hero so far into a script; ""Bull Durham"" begins with a monologue. Stempel aims for an 'interactive approach' and is successful in drawing in the reader."

Full Product Details

9780826429391

Table of Contents

Reviews

. ..the book will have an audience among prospective screenwriters, but it also merits the attention of others involved in the medium...Summing Up: Recommended. All film collections, all levels. - S. B. DeMasi, CHOICE, September 2008--Sanford Lakoff CHOICE Stempel takes some of his best lessons from some of the worst screenplays to teach the reader that you can learn as much from mistakes as masterpieces. The author also addresses the multiple levels of screenwriting from crafting a performance to writing for special effects. -Script Magazine Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays is more than just another 'how to write' guide for aspiring film writers: it uses actual productions to analyze what makes a screenplay successful - or not. Stories highlight writers' works and juxtapose short takes with longer analysis of key works in the industry, making it the perfect guide for any library strong in screenwriting and drama. -Midwest Book Review, December 2008

".""..the book will have an audience among prospective screenwriters, but it also merits the attention of others involved in the medium...Summing Up: Recommended. All film collections, all levels."" - S. B. DeMasi, CHOICE, September 2008--Sanford Lakoff ""CHOICE "" ""Stempel takes some of his best lessons from some of the worst screenplays to teach the reader that you can learn as much from mistakes as masterpieces. The author also addresses the multiple levels of screenwriting from crafting a performance to writing for special effects."" -Script Magazine ""Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays is more than just another 'how to write' guide for aspiring film writers: it uses actual productions to analyze what makes a screenplay successful - or not. Stories highlight writers' works and juxtapose short takes with longer analysis of key works in the industry, making it the perfect guide for any library strong in screenwriting and drama."" -Midwest Book Review, December 2008"

Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays is more than just another 'how to write' guide for aspiring film writers: it uses actual productions to analyze what makes a screenplay successful - or not. Stories highlight writers' works and juxtapose short takes with longer analysis of key works in the industry, making it the perfect guide for any library strong in screenwriting and drama. -Midwest Book Review, December 2008

Stempel takes some of his best lessons from some of the worst screenplays to teach the reader that you can learn as much from mistakes as masterpieces. The author also addresses the multiple levels of screenwriting from crafting a performance to writing for special effects. -Script Magazine . ..the book will have an audience among prospective screenwriters, but it also merits the attention of others involved in the medium...Summing Up: Recommended. All film collections, all levels. - S. B. DeMasi, CHOICE, September 2008--Sanford Lakoff CHOICE Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays is more than just another 'how to write' guide for aspiring film writers: it uses actual productions to analyze what makes a screenplay successful - or not. Stories highlight writers' works and juxtapose short takes with longer analysis of key works in the industry, making it the perfect guide for any library strong in screenwriting and drama. -Midwest Book Review, December 2008

Author Information

Tom Stempel is the author of five books including FrameWork: A History of Screenwriting in American Film and Storytellers to the Nation: A History of American Television Writing - both published by Continuum.. He is Professor of Cinema at Los Angeles City College and has taught on these subjects for more than thirty years.

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