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9781441169501

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<p> A lucid digest of the vast technical literature that documents the past fifty-odd years of sound recording practices. Hodgson explains how equipment choices and processing techniques relate to the musical goals and meanings they serve, illuminating for popular music studies the arcane complexities of how records are crafted. - Robert Walser, Case Western Reserve University<br>

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Jay Hodgson is on faculty at Western University, where he primarily teaches courses on songwriting and project paradigm record production. He is also one of two mastering engineers at MOTTOsound — a boutique audio services house situated in England,whose credits include work on records by the likes of Rush, Three Days Grace, The New Pornographers, Glen Campbell, Billy Ray Cyrus, and The Barenaked Ladies. He was awarded a Governor General’s academic medal in 2006, in recognition of his research on audio recording, and is co-editor of Mixing Music (2016).

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