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The virtual meeting of Gerhard Richter and Paul Rabinow opens up utterly new scholarly and discursive vistas into the nature of the contemporary. Offering a highly sophisticated and innovative anthropological framework to discuss the work of a prominent contemporary artist, Rabinow's innovative and exquisite book makes a compelling and necessary attempt to productively tie the arts and art criticism with the human sciences. -- Amir Eshel, author of * Futurity: Contemporary Literature and the Quest for the Past * Sometimes the keenest observations on an overly familiar phenomenon come from outside the family. So it is with Paul Rabinow's lively, risky intervention in the clan of prestigious art theorists and critics who have created the reception of Gerhard Richter, one of the most famous artists in the world today. Rabinow contests the prevailing cliches that underwrite Richter's canonization, employing an anthropological perspective to untangle the artist's experiments with form in the twilit afterlife of modernism. -- W. J. T. Mitchell, author of * Image Science: Iconology, Visual Culture, and Media Aesthetics *

Sometimes the keenest observations on an overly familiar phenomena come from outside the family. So it is with Paul Rabinow's lively, risky intervention in the clan of prestigious art theorists and critics who have created the reception of Gerhard Richter, one of the most famous artists in the world today. Rabinow contests the prevailing cliches that underwrite Richter's canonization, employing an anthropological perspective to untangle the artist's experiments with form in the twilit afterlife of modernism. -- W. J. T. Mitchell, author of Image Science: Iconology, Visual Culture, and Media Aesthetics The virtual meeting of Gerhard Richter and Paul Rabinow opens up utterly new scholarly and discursive vistas into the nature of the contemporary. Offering a highly sophisticated and innovative anthropological framework to discuss the work of a prominent contemporary artist, Rabinow's innovative and exquisite book makes a compelling and necessary attempt to productively tie the arts and art criticism with the human sciences. -- Amir Eshel, author of Futurity: Contemporary Literature and the Quest for the Past

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Paul Rabinow is Professor of Anthropology at the University of California, Berkeley, and is the author and editor of numerous books, including Designs for an Anthropology of the Contemporary, also published by Duke University Press, and, most recently, Modes of Uncertainty: Anthropological Cases.

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