Overview

The hilariously funny text is matched by Quentin Blake's riotous illustrations. Uncle is a millionaire elephant who has a B.A. and wears a purple dressing gown. He lives in a labyrinth of skyscrapers connected by water chutes, lifts and railways, and littered with oil lakes, walls of sweets and towers of treacle. He and his followers amuse themselves by exploring his home and falling into adventures with its inhabitants, a collection of lunatics, dwarfs and ghosts. Uncle also frequently fights with the inhabitants of neighbouring Badfort, among them the repulsive Jellytussles (a quivering blob) and the cowardly Hitmouse.

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9781782950066

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A riot of nonsense and adventure, may well become a classic in the great English nonsense tradition * Observer * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * The books are very funny, installing a large cast of unlikely characters . . . in a world of mildly squiffy logic . . . And the illustrations are among Quentin Blake's best work, scrawls and splotches that finally and unarguably distil character. But most important, this is political satire of a high order - Animal Farm for pre-teens, but wittier and more relevant to our own world * Independent * If there was ever a children's series generating fanatical, cult adoration, this is it. And deservedly so. * Guardian *

A riot of nonsense and adventure, may well become a classic in the great English nonsense tradition Observer Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs ... Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp Guardian Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs ... Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp Guardian The books are very funny, installing a large cast of unlikely characters ... in a world of mildly squiffy logic ... And the illustrations are among Quentin Blake's best work, scrawls and splotches that finally and unarguably distil character. But most important, this is political satire of a high order - Animal Farm for pre-teens, but wittier and more relevant to our own world Independent If there was ever a children's series generating fanatical, cult adoration, this is it. And deservedly so. Guardian

A riot of nonsense and adventure, may well become a classic in the great English nonsense tradition * Observer * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * The books are very funny, installing a large cast of unlikely characters . . . in a world of mildly squiffy logic . . . And the illustrations are among Quentin Blake's best work, scrawls and splotches that finally and unarguably distil character. But most important, this is political satire of a high order - Animal Farm for pre-teens, but wittier and more relevant to our own world * Independent * If there was ever a children's series generating fanatical, cult adoration, this is it. And deservedly so. * Guardian *

If there was ever a children's series generating fanatical, cult adoration, this is it. And deservedly so. * Guardian * The books are very funny, installing a large cast of unlikely characters . . . in a world of mildly squiffy logic . . . And the illustrations are among Quentin Blake's best work, scrawls and splotches that finally and unarguably distil character. But most important, this is political satire of a high order - Animal Farm for pre-teens, but wittier and more relevant to our own world * Independent * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * Joyously surreal, set in landscapes full of toffee, deferential choirs of badgers, heavenly water-slides and velvet chairs . . . Their pachydermous protagonist governs a benevolent plutocracy- but the books' great joy is the frequent sly and subtle lampooning of his capitalist pomp * Guardian * A riot of nonsense and adventure, may well become a classic in the great English nonsense tradition * Observer *

Author Information

J. P. Martin (Author) J.P.Martin was born in Scarborough in 1879. He became a Methodist minister in 1902 and served as a missionary in South Africa and as an army chaplain in Palestine in 1918 at the time when Allenby and T.E. Lawrence overwhelmed the Turks. J.P.Martin and his wife Nancy moved circuits every three years and worked among miners and slum dwellers, as well as among the comfortably off. He started telling the Uncle stories before the First World War and in 1934 the writers Stella Martin and R.N Currey urged him to write them down; it took thirty years before they got them accepted by Jonathan Cape in the satire rich sixties. Reviewers welcomed each of the six books as they were published between 1964 and 1973 with comparisons to Edward Lear and Alice. The Observer described him as 'a master in the great English nonsense tradition.' J.P.Martin was 84 when Uncle was published and he charmed everyone on radio and television. He was able to enjoy his late success before he died two years later in 1966. Quentin Blake (Author) Quentin Blake has been drawing ever since he can remember. He taught illustration for over twenty years at the Royal College of Art, of which he is an honorary professor. He has won many prizes, including the Hans Christian Andersen Award for Illustration, the Eleanor Farjeon Award and the Kate Greenaway Medal, and in 1999 he was appointed the first Children's Laureate. In the 2013 New Year's Honours List he was knighted for services to illustration.

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