Overview

"""James Alan Riley's Uncertain Mythologies reverberates with a profound sense of time, rooted in the tangible experiences that form and inform our everyday lives. The collection embraces the interplay of light and shadow, life and death, where ""the shadows add depth to the light,"" infusing depth into ordinary moments. Uncertain Mythologies blurs temporal boundaries and echoes timeless themes while holding the present in the light and shadows of the past. ""The first section is lush with landscape, haunted by the past and home. These poems radiate like 'the blue / pilot light from the gas furnace / flickering beneath the floor, ' an ephemeral feeling that quietly persists throughout the book as it raises questions of mortality, legacy, and the fleeting nature of time. Riley's words embody both the wisdom of age and the innocence of youth, probing how time shapes our lives, as in the poem 'Photograph, ' where '[t]he child does not understand / what is happening but the old man does.' ""Transitioning effortlessly from introspective moments to expansive landscapes, the poems traverse spaces from the kitchen to the porch, from starry skies to the interior of a Vista Cruiser, inviting readers to ponder how the past informs the present. Yet, amidst contemplation, there's a persistent reminder of the duality of human existence. Riley's book is full of blooming: from hydrangeas in need of pruning to 'the blood at the bottom of the pool / blossoming like a dark flower.' Where knockout roses bloom, they will also be cut and carried indoors. Riley uses these undercurrents to examine emotions, as in 'Grief"" We sometimes find ourselves in strange and unexpected places, confused by the ambient light, the weight of water in our hands. ""The liminal space between who we are now and who we have been is the crux of the brilliance in these poems. ""The second section ushers in music and stories, calling to us through brush and leaves in need of clearing like a 'song in the tall grass calls our name.' These poems contain voices that harmonize the body with the natural world, the passing of time with living in the moment. In 'Six Suites for Unaccompanied Cello, ' Riley's lyrical movements shift us between now and then, a past that accompanies our present... ""As the collection progresses, the poet's voice transforms, as if the child from the first section has become the 'old man' who now thrives with grandchildren, driving them to school, taking them to Florida, navigating a changing world with wisdom and humor. Uncertain Mythologies culminates in a contemplation on life's cyclical nature, urging the reader to consider how we live in a present moment that is haunted-yet buoyed-by the past. Riley ends with a look towards the future, a return to the earth [in] 'Planting the Trees'... ""In Uncertain Mythologies, Riley proves himself a modern-day mythmaker with poems that are both timely and timeless. Spend the afternoon with these poems and let them ask of you: 'Did you spend your time wisely?' It will be time well spent.""-Sarah McCartt-Jackson, author of Stonelight and Calf Canyon"

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9781945049408

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Reviews

"""In Uncertain Mythologies, James Alan Riley wants to believe each season predicts what will come next; in 'November Leaves' nothing has to be done 'until the trees are bare.' So too, his poems cast an eye backwards to better know his past, and perhaps even his present-'We cannot deny what has come before, / having seen with certainty each stroke. / Hope is cerulean blue, yellow ocher the present tense...' But in the future, he keeps running up against his doubts, regrets, and uncertainties. Ever present, though, in his reflections, is loss, a longing to go back to a moment. His binding commitments are both a 'rising' and a 'sinking' in these Appalachian hills.""-HANNAH C. FREEMAN, PhD, Professor of English and Department Chair, Humanities, Midway University ""James Alan Riley's Uncertain Mythologies is a poetic journey through a life both lived and told, a chronicling of those moments we 'knew at the time we would remember /... not for what it was / but for what it would become.' The past is ever present in these poems, which begin in the country of childhood, that mythic land from which we all embark. Experiences of the decline and loss of a parent, the joys and absurdities of domestic life, the recent global pandemic, and the poet's own aging weave a rich tapestry of story in these rich, wise poems.""-PAULETTA HANSEL, Cincinnati Poet Laureate Emeritus and author of The Heartbreak Tree James Alan Riley's Uncertain Mythologies reverberates with a profound sense of time, rooted in the tangible experiences that form and inform our everyday lives. The collection embraces the interplay of light and shadow, life and death, where 'the shadows add depth to the light, ' infusing depth into ordinary moments...blurs temporal boundaries and echoes timeless themes while holding the present in the light and shadows of the past...Riley proves himself a modern-day mythmaker with poems that are both timely and timeless. Spend the afternoon with these poems and let them ask of you: ""Did you spend your time wisely?"" It will be time well spent.-SARAH MCCARTT-JACKSON, author of Stonelight and Calf Canyon For readers familiar with the writing of Kentucky poet James Alan Riley, his second poetry collection, Uncertain Mythologies is a welcome sequel to his first book of poems, Broken Frequencies. In this new collection, Riley expands upon and deepens themes found earlier . . . combining lyricism with introspection; it is genial, approachable, [and] deeply invested in the search to examine experience. Readers will find that for Riley, as for the poet Stanley Kunitz, 'poetry is most deeply concerned with telling us what it feels like to be alive at any given moment.'-BONNIE PROUDFOOT, author of Goshen Road"

Author Information

JAMES ALAN RILEY is the author of Broken Frequencies, a book of poems (Shadelandhouse Modern Press, 2019). He is the recipient of a National Endowment for the Arts Fellowship, a 2023 Artists Relief and Disaster Recovery Grant from the Kentucky Arts Council (funded by the Kentucky General Assembly and the National Endowment for the Arts), the 2020 Thomas and Lillie D. Chaffin Award for Excellence in Appalachian Literature, two Al Smith Fellowships from the Kentucky Arts Council, and an Individual Artists Fellowship from the Ohio Arts Council. He edited Kentucky Voices: A Collection of Contemporary Kentucky Short Stories (PC Press, 1999) and was the founding editor of The Pikeville Review (1988-1999). He is Professor Emeritus of English at the University of Pikeville where he taught creative writing for 35 years. He lives in Pikeville, Kentucky, with his wife Tammy and their grandson Kaden.

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