Uncanny Fidelity: Recognizing Shakespeare in Twenty-First-Century Film and Television

Author:   James Newlin
Publisher:   The University of Alabama Press
ISBN:  

9780817361150


Pages:   256
Publication Date:   19 December 2023
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Uncanny Fidelity: Recognizing Shakespeare in Twenty-First-Century Film and Television


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Author:   James Newlin
Publisher:   The University of Alabama Press
Imprint:   The University of Alabama Press
Weight:   0.272kg
ISBN:  

9780817361150


ISBN 10:   0817361154
Pages:   256
Publication Date:   19 December 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Reviews

Uncanny Fidelity makes a rich and creative contribution not only to the field of adaptation studies but also to Shakespeare criticism in general, as it deploys its scholarly resources with aplomb and, as befits the book, originality. One of its refreshing features, especially for a work of modern popular culture, is a continual engagement with the materials of the Renaissance--the histories, the social and theatrical conflicts that enlivened and sometimes disturbed the era, and the criticism about the literature of the time--which gives us the impression that, even when reading about films from only five years ago, we are never far from the early modern period. --Eric S. Mallin author of Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning and Godless Shakespeare


Author Information

James Newlin is lecturer in the Department of English at Case Western Reserve University. He is coeditor, with James W. Stone, of the volume New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains. His research is primarily concerned with the reception of Shakespeare in intellectual history, as well as film and contemporary literature. His writing on these topics has appeared in the Journal of Dramatic Theory and Criticism, Shakespeare Bulletin, SubStance, and in other journals and edited collections.    

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