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Author:   Georgina Nugent ,  Sam Slote
Publisher:   Clemson University Digital Press
Imprint:   Clemson University Digital Press
ISBN:  

9781638041306

ISBN 10:   163804130
Pages:   256
Publication Date:   28 October 2024
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Acknowledgements List of Tables & Illustrations List of Abbreviations Note on Citation Practice Introduction: Ulysses at Forty Georgina Nugent & Sam Slote Section 1: Editing and Editorial Theory 1. A Question of Authority: The Critical and Synoptic Edition of Ulysses and Theories of Scholarly Editing Wim Van Mierlo 2. Work, Text, Book, Author: Divergences and Intersections Paola Pugliatti Section 2: Reading Ulysses; Reading the UCSE Reading the Synoptic Display and the Reading Text Together: Towards an Understanding of the Modernist Self-Reflexivity of Ulysses Shinjini Chattopadhyay If he had smiled why would he have smiled?: “Ithaca,” Lists and the Text-in-Progress Matthew Creasy A Portrait of the Editor as Arranger Sam Slote Section 3: Beyond Ulysses Reading Ulysses onto Dubliners and A Portrait of the Artist as a Young Man: The Impact of the Gabler Synoptic and Critical Editions on Editions of Joyce’s Earlier Texts Elizabeth M. Bonapfel This translation and the other translation: the impact of the Gabler text on translations of Ulysses Jolanta Wawrzycka Copyright and the Gabler Ulysses Robert Spoo Coda 9. Ulysses 1984: To Edit and Read in Flow of Composition Hans Walter Gabler Appendix: Hans Walter Gabler: “Love, yes. Word known to all men.” Notes Index

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Author Information

Georgina Nugent is a Marie Skłodowska-Curie Postdoctoral Fellow at the University of Vienna. She is the author of The Making of Samuel Beckett’s Company/ Compagnie (Bloomsbury Academic/UPA, 2021) and Beckett and Stein (Cambridge University Press, 2023), and the editor of a special issue of the Journal of Beckett Studies that focuses on ‘Beckett’s Women Contemporaries’ (Edinburgh University Press, 2023). Her research focuses on modernism, with a particular interest in Samuel Beckett, Gertrude Stein, and James Joyce. She has published essays in Samuel Beckett Today/Aujhourd’hui, Journal of Beckett Studies, James Joyce Quarterly, and The Southern Review, among others. Her current book project is a comparative study of James Joyce and Gertrude Stein. Like the eponymous Joyce scholar of the novel The Death of a Joyce Scholar, Sam Slote is a Professor at Trinity College Dublin and lives in the Liberties in Dublin. He is the author of Annotations to James Joyce’s ‘Ulysses’ (Oxford, 2022), Joyce’s Nietzschean Ethics (Palgrave, 2013), and is the co-editor, with Luca Crispi, of How Joyce Wrote ‘Finnegans Wake’ (Wisconsin, 2007). In addition to Joyce and Beckett, he has written on Virginia Woolf, Vladimir Nabokov, Raymond Queneau, Antonin Artaud, Dante, Mallarmé, and Elvis.

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