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OverviewFull Product DetailsAuthor: Eduardo de la Fuente (Flinders University, Australia)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.360kg ISBN: 9780415811439ISBN 10: 0415811430 Pages: 192 Publication Date: 05 September 2012 Audience: College/higher education , College/higher education , Postgraduate, Research & Scholarly , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. Modernity, Modernism and Music 2. Myth and Narrative in Twentieth Century Musical Culture 3. The Structure of Musical Revolutions 4. Music in Max Weber’s Sociology of Modernity 5. Modernity in Theodor Adorno’s Philosophy of Modern Music 6. Music in Modern Theories of Communication 7. Arnold Schoenberg: The Composer as Prophet 8. Igor Stravinsky: The Composer as Priest 9. Pierre Boulez: The Composer as Ascetic 10. John Cage: The Composer as Mystic 11. From Avant-Gardism to Post-Modernism 12. Musical Re-Enchantment?ReviewsAuthor InformationEduardo De La Fuente is a Lecturer in Sociology in the School of Social and Policy Studies at Flinders University in Australia. Tab Content 6Author Website:Countries AvailableAll regions |