Overview

TV and Caricature explores how the traditional art form of caricature is adapted for the medium of television. The book introduces the 'televisual caricature'- a mediated, humorous impersonation of a public figure that exaggerates their persona, often with satirical intent. TV and Caricature examines the aesthetic, industrial and cultural dimensions of televisual caricature. It explores a range of programming in which it appears, including animation, sketch comedy, magazine programming and reality TV. It analyses televisual caricature's style and form, industrial contexts and cultural politics. It presents case studies, including televisual caricatures of Margaret Thatcher and Donald Trump, and the popular puppet sketch series Spitting Image. It confronts televisual caricature's troubling manifestations, including blackface performance in Fantasy Football League and Bo Selecta, reflecting on how these instances have been revisited in the context of the contemporary 'culture wars'. Combining theoretical analysis, practitioner interview, archival research and critical reading, this book illuminates caricature's surprising place in television history.

Full Product Details

9781399508094

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Reviews

Rigorously analysing a wide variety of hitherto underexplored TV series such as Spitting Image and Psychobitches, Andrews evidences how embedded caricature is in television’s public service roles, and thus how understanding its prevalence and forms is essential to making sense of the medium. TV and Caricature is essential reading for those interested in television, comedy, offence, and broadcasting’s centrality to public discourse on politics and society. * Brett Mills, Honorary Professor of Media and Culture, University of East Anglia, UK *

Author Information

Hannah Andrews is Associate Professor in the School of Creative Arts at the University of Lincoln. She is the author of Television and British Cinema (2014) and Biographical Television Drama (2021) and has published widely on television and cinema in journals such as Screen, Journal of British Cinema and Television, Comedy Studies and Historical Journal of Film, Radio and Television. She is an editor at Critical Studies in Television: The International Journal of Television Studies. Focusing largely on British popular culture, her work has explored intermedial and industrial relationships between cinema and TV, the ethics and aesthetics of biographical representation, and the cultural politics of TV comedy.

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