Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia

Author:   Uroš Čvoro (University of New South Wales)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138249059


Pages:   224
Publication Date:   19 October 2016
Format:   Paperback
Availability:   In Print   Availability explained
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Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia


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Author:   Uroš Čvoro (University of New South Wales)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138249059


ISBN 10:   113824905
Pages:   224
Publication Date:   19 October 2016
Audience:   Adult education ,  College/higher education ,  Further / Higher Education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction The Three Stories of Turbo-folk; Part I Turbo-nation: Turbo-folk and Representations of National Identity in Former Yugoslavia, 1970–2010; Chapter 1 The People’s Eastern Kitsch: Self-management, Modernisation and ‘Newly Composed Folk Music’ in Yugoslavia; Chapter 2 Remember the Nineties?: Turbo-folk as the Vanishing Mediator of Nationalism; Chapter 3 Beyond Serbia: Turbo-folk across Cultural and National Boundaries; Part II Turbo-culture: Cultural Responses to Turbo-folk; Chapter 4 Turbo-art: Music and National Identity in the Work of Contemporary Artists from Former Yugoslavia; Chapter 5 They Can Be Heroes: Popular Culture and Public Sculpture in Former Yugoslavia; Chapter 6 Singin’ in the Film: Turbo-folk and Self-exoticisation in the Films of Sr?an Dragojevi?; conclusion Conclusion;

Reviews

'... the many fascinating insights offered by Living with the Royal Academy make a useful contribution toward the rewriting of the history of British art during the first century or so of the Royal Academy's existence.' CAA Reviews


Author Information

Uroš Čvoro is a Senior Lecturer in Art Theory at UNSW Australia. His research areas include contemporary art and national identity, popular culture and post-socialism, and the relation between contemporary art and politics.

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