Trevor Nickolls: This Way Art

Author:   Melbourne University Publishing ,  Melbourne University Publishing
Publisher:   Melbourne University Press
ISBN:  

9780522856590


Pages:   208
Publication Date:   30 March 2010
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Trevor Nickolls: This Way Art


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Author:   Melbourne University Publishing ,  Melbourne University Publishing
Publisher:   Melbourne University Press
Imprint:   The Miegunyah Press
Weight:   0.333kg
ISBN:  

9780522856590


ISBN 10:   0522856594
Pages:   208
Publication Date:   30 March 2010
Audience:   General/trade ,  College/higher education ,  General ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Michael O'Ferrall has worked in the field of Aboriginal art since 1977, when he began working with the artists of the Yirrkala region of North East Arnhem Land as coordinator of the Bukularrngay Arts Centre. He has subsequently held positions with the Perth-based Australian Regional Artists Exchange and Triangle International Artists Exchange, and was Curator of Aboriginal Art at the Art Gallery of Western Australia from 1984 to 1996. He acted as Australian Commissioner at the 1990 Venice Biennale, with the artists Trevor Nickolls and Rover Thomas. Ashley Crawford is the author of a number of books on Australian art including Spray: The Work of Howard Arkley (co-author, 1997) and Wimmera: The Work of Phillip Hunter (2002). He has written on the visual arts for numerous publications including The Age, Australian Art Collector, Art & Australia, the Australian, the Sydney Morning Herald, the Australian Financial Review and Business Review Weekly. Crawford has also been editor of Tension, World Art and 21.C magazines. He is a Senior Visiting Fellow at the School of Art, Victorian College of the Arts, and General Editor at Thames & Hudson

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