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OverviewExplores how white supremacist groups use popular music and culture to teach hate and promote violence. Full Product DetailsAuthor: Nancy S. LovePublisher: State University of New York Press Imprint: State University of New York Press Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.354kg ISBN: 9781438462042ISBN 10: 1438462042 Pages: 268 Publication Date: 02 July 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface Acknowledgments 1. Mobilizing White Power: Music, Culture, and Politics 2. Playing with Hate: Racist Skinheads, Skrewdriver, and Liberal Tolerance 3. Imagining A White Nation: Neo-Nazi Folk, Family Values, and Prussian Blue 4. Building A Church: Rahowa, Heavy Metal, and Racial Ecology 5. Recycling White Trash: Aesthetics, Music, and Democracy Epilogue Notes Bibliography IndexReviews""Trendy Fascism has the potential to unsettle how theorists of democracy frame their most basic assumptions in the study of politics. The case studies of white power music are indeed unsettling, and at times they will bring chills to the reader. But, as Love argues, we must confront the realities of and rationalizations for the often-disavowed transnational white supremacist communities and networks in our political present if we are serious about overturning the racial contract pervading late modern states."" - Neil Roberts, Williams College """Trendy Fascism has the potential to unsettle how theorists of democracy frame their most basic assumptions in the study of politics. The case studies of white power music are indeed unsettling, and at times they will bring chills to the reader. But, as Love argues, we must confront the realities of and rationalizations for the often-disavowed transnational white supremacist communities and networks in our political present if we are serious about overturning the racial contract pervading late modern states."" - Neil Roberts, Williams College" Trendy Fascism has the potential to unsettle how theorists of democracy frame their most basic assumptions in the study of politics. The case studies of white power music are indeed unsettling, and at times they will bring chills to the reader. But, as Love argues, we must confront the realities of and rationalizations for the often-disavowed transnational white supremacist communities and networks in our political present if we are serious about overturning the racial contract pervading late modern states. - Neil Roberts, Williams College Author InformationNancy S. Love is Professor of Political Science and Humanities Council Coordinator at Appalachian State University. She is the author of Musical Democracy and coeditor (with Mark Mattern) of Doing Democracy: Activist Art and Cultural Politics, both also published by SUNY Press. Tab Content 6Author Website:Countries AvailableAll regions |
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