Overview

With new photography of extraordinarily rare works of art, this pioneering study features discoveries and research essential to understanding the origins and meaning of Buddhist artistic traditions Buddhist art originated more than 2,000 years ago, shaping religious practice and artistic motifs as it spread from India throughout South, North, and Southeast Asia. Tree and Serpent explores the ways early sculptural works by Buddhist artists, architects, and practitioners were transformed as the religion moved across the continent. World-renowned scholars from India, Europe, and the United States demonstrate how figurative sculpture and the narrative tradition in India were central to the function and meaning of early Buddhist art and architecture. The book’s essays probe such topics as the pre-Buddhist cults of earth, water, and tree spirits; the Buddha’s presence in relics; the influence of Roman bronzes and coins found in India; and the financial life of monks. The catalogue includes a wide range of early Buddhist artworks—from expertly carved stone reliefs to impeccably decorated pieces of jewelry—and features the first publication of sculptures unearthed over the past decade at major monastic sites in South India. With new photography of more than 125 objects from international collections dating from roughly 200 BCE to 450 CE, this ambitious catalogue provides essential new insights into our understanding of ancient Indian art and the origins of Buddhism. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (July 17–December 3, 2023)

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9781588396938

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“A spectacular achievement . . . [that] opens a window onto a sophisticated courtly and monastic world previously known to only a handful of art historians. . . . Tree & Serpent—beautifully curated and spectacularly well lit—is accompanied by an exceptional scholarly catalog. Both the show and the book are extraordinary achievements. . . . They will astonish even those who think they are familiar with the art of Buddhism.”—William Dalrymple, New York Review of Books

Author Information

John Guy is Florence and Herbert Irving Curator of the Arts of South and Southeast Asia in the Department of Asian Art at The Metropolitan Museum of Art, New York.

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