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OverviewExamining theatrical performance under Stalinist cultural mandates Talk of Joseph Stalin's 'show trials,' the public prosecutions in Moscow's Hall of Columns in the late 1930s, is so familiar as to obscure the relationship between actual shows - in the Soviet Union's major theaters - and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a 'genuine Soviet person.' Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov, Mikhail Bulgakov, Yuri Olesha, and Natalia Sats and the efforts of theater companies, like the Moscow Arts Theater, the Meyerhold Theater, and the Central Children's Theater, to adhere to this cultural mandate while grappling with repression, censorship, and conflicting interpretations of its aims. Drawing on archival materials, diaries and memoirs and eyewitness accounts, Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs. Full Product DetailsAuthor: Boris Wolfson , Simon MorrisonPublisher: Northwestern University Press Imprint: Northwestern University Press Weight: 0.454kg ISBN: 9780810149250ISBN 10: 0810149257 Pages: 224 Publication Date: 30 September 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviews""Boris Wolfson was the expert on the Stalinist theater. This stunning, engrossing book--the only English-language book on the Stalinist theater--offers a vivid, dramatic and intellectually provocative narrative of very brave playwrights creating theater in a time of absolute terror. Based on extensive primary research, this book adds so much to our understanding of the living details of those dark Soviet 1930s, and it presses us to think deeply about art under dictatorship, a topic relevant even to our present day."" --Alisa Ballard Lin, The Ohio State University Author InformationBoris Wolfson (1975-2024) was an associate professor of Russian at Amherst College. He coedited the volume Russian Performances: Word, Object, Action. Simon Morrison is a professor in the Departments of Music and Slavic Languages and Literatures at Princeton University. Tab Content 6Author Website:Countries AvailableAll regions |