Overview

Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning ""American Dream"" America as democratic and inclusive. Broadway musicals still continue to function today as ""cultural Ellis Islands"" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical. 

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Acknowledging the important role of Jews in developing the 20th-century Broadway musical, Hecht argues that Jews shaped the musical 'to represent their grappling with the promise of the American Dream.' Summing Up: REcommended. Large collections supporting work by upper-division undergraduates, graduate students, researchers, and professionals - CHOICE Hecht's passion for musical theatre shines through this work that joins a growing body of literature on American Jews' contributions to the development of our national drama and culture. - Heather S. Nathans, School of Theatre, Dance, and Performance Studies, University of Maryland Much has been written about the 'integrated' musical. Transposing Broadway is perhaps the first 'integrated' study of the Broadway musical, weaving together a spectacularly rich variety of shows and ideas with wit and insight. Eschewing traditional chronology, it is a freewheeling, thought-provoking demonstration of the many ways Broadway mirrored the American experience - specifically Jewish-American experience - over the course of the twentieth century and into the first years of the twenty-first. I think readers will find it full of discoveries and wisdom about cherished Broadway musicals. - Harley Erdman, graduate program director and associate professor of Dramaturgy, UMass - Amherst Hecht is a top-notch connoisseur of the American musical theater. He navigates its rich landscape with confidence, taking his readers on an original journey that is erudite and illuminating. A splendid book. - Edna Nahshon, professor of Hebrew and Performance Studies, The Jewish Theological Seminary, New York

Hecht's passion for musical theatre shines through this work that joins a growing body of literature on American Jews' contributions to the development of our national drama and culture. --Heather S. Nathans, School of Theatre, Dance, and Performance Studies, University of Maryland Much has been written about the 'integrated' musical. Transposing Broadway is perhaps the first 'integrated' study of the Broadway musical, weaving together a spectacularly rich variety of shows and ideas with wit and insight. Eschewing traditional chronology, it is a freewheeling, thought-provoking demonstration of the many ways Broadway mirrored the American experience - specifically Jewish-American experience - over the course of the twentieth century and into the first years of the twenty-first. I think readers will find it full of discoveries and wisdom about cherished Broadway musicals. --Harley Erdman, graduate program director and associate professor of Dramaturgy, UMass - Amherst<br> Hecht is a

Author Information

Stuart J. Hecht is Associate Professor of Theatre at Boston College, USA.   

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