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Author:   Claire Perkins (Monash University, Melbourne, Australia) ,  Constantine Verevis (Monash University, Melbourne, Australia)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.408kg
ISBN:  

9781138666696

ISBN 10:   1138666696
Pages:   136
Publication Date:   20 May 2016
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction: Transnational television remakes Claire Perkins and Constantine Verevis Part I: Genres 1. Television format traffic-public service style Albert Moran 2. From The Office to Stromberg: adaptation strategies in German television Lothar Mikos 3. Trafficking in TV crime: remaking Broadchurch Sue Turnbull Part II: Politics 4. Remapping socio-cultural specificity in the American remake of The Bridge Jennifer Forrest and Sergio Martínez 5. Between Homeland and Prisoners of War: remaking terror A nat Zanger 6. The show that refused to die: the rise and fall of AMC’s The Killing Kim Akass Part III: Value 7. Appreciating Wallander at the BBC: producing culture and perfoming the glocal in the UK and Swedish Wallanders for British public service television Janet McCabe 8. ‘Whose side are you?’ The Slap (2011/2015) Constantine Verevis 9. Translating the television ‘treatment’ genre: Be’Tipul and In Treatment Claire Perkins

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Author Information

Claire Perkins is Lecturer in Film and Screen Studies at Monash University, Melbourne, Australia. She is author of American Smart Cinema (2012) and co-editor of the forthcoming Indie Reframed: Women Filmmakers and Contemporary American Independent Cinema. Constantine Verevis is Associate Professor in Film and Screen Studies at Monash University, Melbourne, Australia. He is author of Film Remakes (2006) and co-editor of the forthcoming Transnational Film Remakes.

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