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9781474407243

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Transnational Film Remakes not only succeeds in providing great explanations of complex issues, but, and probably more importantly, raises new thought-provoking questions. Therefore, it will be an interesting read for scholars working in transnational (remake) studies, or more broadly in adaptation studies, but equally for everyone interested in film studies and the recycling of cultural artefacts. -- Eduard Cuelenaere, Communications

'Transnational Film Remakes not only succeeds in providing great explanations of complex issues, but, and probably more importantly, raises new thought-provoking questions. Therefore, it will be an interesting read for scholars working in transnational (remake) studies, or more broadly in adaptation studies, but equally for everyone interested in film studies and the recycling of cultural artefacts.'--Eduard Cuelenaere Communications

Author Information

Iain Robert Smith is Lecturer in Film Studies at King’s College London. He is author of The Hollywood Meme: Transnational Adaptations in World Cinema (Edinburgh UP, 2016) and co-editor of Media Across Borders (2016). He is co-chair of the SCMS Transnational Cinemas Scholarly Interest Group, and co-investigator on the AHRC-funded research network Media Across Borders. Constantine Verevis is Associate Professor in Film and Screen Studies at Monash University, Melbourne. His publications include: Film Remakes (Edinburgh UP, 2006), Transnational Film Remakes (Edinburgh UP, 2017), Film Reboots (Edinburgh UP, 2020), and Flaming Creatures (2020). With Claire Perkins, he is founding co-editor of Screen Serialities (Edinburgh UP).

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