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OverviewTransgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema not just as individual or grouped texts for analysis but as artefacts that ought to be considered within a complex network of social factors. This book provides a rigorous framework for understanding some of the most controversial films of the past twenty-five years. The term 'transgressive art film' designates the phenomenon of a small number of controversial films recuperated each year by the cinema art world as part of an expansion of the definition of film art. Rather than seeing controversial films as aberrations, this book suggests that transgressive art films should be understood as a socio-cultural phenomenon and a central plank of cinema's need for newness, innovation, and renewal. By paying attention to all scales of cinema, from close analysis of individual frames, through the discourse constructed around them, up to global distribution and film-festival networks, Transgressive Art Films details how certain kinds of cinematic transgression gain wide-ranging institutional support rather than being ignored or forgotten. Full Product DetailsAuthor: Oliver Kenny (Lecturer in Film and Media, Institute of Communication Studies (ISTC), Catholic University of Lille.)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474483940ISBN 10: 1474483941 Pages: 352 Publication Date: 29 August 2025 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Not yet available, will be POD This item is yet to be released. You can pre-order this item and we will dispatch it to you upon it's release. This is a print on demand item which is still yet to be released. Table of ContentsReviewsProposing a refreshingly precise new framework for thinking about transgressive art cinema, Oliver Kenny's compelling book offers an important intervention into debates surrounding extreme, pornographic, and contentious filmmaking. Paying equal attention to aspects of form, reception, and theory, it promises to revitalise scholarship on transgression in twenty-first-century art cinema.--Tina Kendall, Anglia Ruskin University Author InformationOliver Kenny is Lecturer in Film and Media at the Institute of Communication Studies (ISTC), Universite Catholique de Lille. Tab Content 6Author Website:Countries AvailableAll regions |
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