Overview

This beautifully illustrated volume examines American Indian rock art across an expansive region of eastern North America during the Mississippian Period (post AD 900). Unlike portable cultural material, rock art provides in situ evidence of ritual activity that links ideology and place. The focus is on the widespread use of cosmograms depicted in Mississippian rock art imagery. This approach anchors broad distributional patterns of motifs and themes within a powerful framework for cultural interpretation, yielding new insights on ancient concepts of landscape, ceremonialism, and religion. It also provides a unified, comprehensive perspective on Mississippian symbolism. A selection of landscape cosmograms from various parts of North America and Europe taken from the ethnographic records are examined and an overview of American Indian cosmographic landscapes provided to illustrate their centrality to indigenous religious traditions across North America. Authors discuss what a cosmogram-based approach can teach us about people, places, and past environments and what it may reveal that more conventional approaches overlook. Geographical variations across the landscape, regional similarities, and derived meaning found in these data are described. The authors also consider the difficult subject of how to develop a more detailed chronology for eastern rock art.

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9781785706288

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I commend the editors for their daring vision and timely contribution to American rock art scholarship. * Proceedings of the Prehistoric Society *

I commend the editors for their daring vision and timely contribution to American rock art scholarship. * Proceedings of the Prehistoric Society * Organised into seven thought-provoking chapters, each accompanied by high-quality images, this book will be an important contribution into understanding regional rock-art trends in a continent that has a complex, dynamic and distinct range in its rock-art assemblages. * Current World Archaeology * ...challenge[s] archaeologists to think beyond customarily considered relationships among people, portable objects, and architecture and to consider rock art as one of many contexts through which native peoples of eastern North America expressed their understandings of animate landscapes. * American Antiquity *

Author Information

Carol Diaz-Granados is a Research associate in the Department of Anthropology, Washington University in St. Louis, specialising in the study of north american rock art and associated belief systems. Jan Simek is Professor in the Department of Anthropology at the Univeristy of Texas, Knoxville. his resarch interests include North American rock art, Palaeolithic and cave archaeology, human evolution, quantitative and spatial analysis and Southeastern archaeology. George Sabo is Professor in the Department of Anthropology, University of Arkansas and Director of the Arkansas Archeological Survey. His research centers on human/environment relationships, expressive culture (art and ritual) among Southeastern Indians from pre-contact to modern times, American Indian interactions with European explorers and colonists in the Southeast, and the anthropology of history in modern Caddo, Osage and Quapaw communities in Oklahoma. Mark Wagner is Associate Professor and Director of the Centre for Archaeogoical Invetigations, Deprtament of Anthropology, Univeriosty of Southern Illinois at Carbondale. His research interests include the prehistory and early history of both Native Americans and Europeans in Illinois and the lower Ohio River Valley, culture contact issues between Native Americans and Euro-Americans and Native American rock art sites, spirituality and religious beliefs.

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