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Author:   Beverley Diamond (Professor Emerita of Ethnomusicology, Professor Emerita of Ethnomusicology, Memorial University of Newfoundland) ,  Salwa El-Shawan Castelo-Branco (Professor of Ethnomusicology, Professor of Ethnomusicology, Nova University Lisbon)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.50cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.363kg
ISBN:  

9780197517567

ISBN 10:   0197517560
Pages:   270
Publication Date:   30 September 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Ethnomusicological Praxis: An Introduction Beverley Diamond and Salwa El-Shawan Castelo-Branco Chapter 1: A Sound Economy Jeff Todd Titon Chapter 2: Music for Global Human Development Michael Frishkopf Chapter 3: Reengaging Sound Praxis in the Real World: Politico-Epistemological Dimensions of Dialogue and Participation in Knowledge Production Samuel Araujo Chapter 4: Silenced Registers of Ethnomusicological Academic Labor under Neoliberalism Ana Hofman Chapter 5: Sonic Mapping and Critical Citizenship: Reflections on LimerickSoundscapes Aileen Dillane and Tony Langlois Chapter 6: The Earth Is (Still) Our Mother: Traversing Indigenous Landscapes through Sacred Geographies of Song Chad Hamill Chapter 7: The Modernity of the Songlines Rhoda Roberts Chapter 8: Music Endangerment, Repatriation and Intercultural Collaboration in an Australian Discomfort Zone Sally Treloyn and Rona Goonginda Charles Chapter 9: Dancing Domba: Intersections of Ethnomusicology, Music Education, and Research with Children and Young People Andrea Emberly and Mudzunga Junniah Davhula Chapter 10: Ethical Friction: IRBs, Ethnolmusicological Ethics, and Music in an American Jail Andy McGraw Chapter 11: Ethnomusicology and the Meeting of Knowledges in Music: The Inclusion of Masters of Traditional Musics as Lecturers in Higher Education Institutions José Jorge de Carvalho

Reviews

A testament to the labor of activism, advocacy, and community involvement, Transforming Ethnomusicology lays the groundwork for contemporary practices in applied research that frame the multidimensional roles of scholarly involvement in music-driven social justice - a timely contribution to the field. * Adriana Helbig, Associate Professor of Music, University of Pittsburgh * A highly original and unusually rewarding read. If anyone wondered what twenty-first century ethnomusicology could become, Transforming Ethnomusicology provides creative ideas and inspiration. Bursting with fresh insights, it speaks to issues of major concern and defines the field. * Lee Tong Soon, Lehigh University, general editor of the Yearbook for Traditional Music *

Author Information

Beverley Diamond is Professor Emerita at Memorial University of Newfoundland where she served as the first Canada Research Chair in Ethnomusicology and founded and directed the Research Centre for the Study of Music, Media, and Place (MMaP) from 2003-15. Diamond is known for her feminist music research and her work on Canadian cultural historiography and Indigenous music cultures in North America and Scandinavia. Salwa El-Shawan Castelo-Branco is Professor of Ethnomusicology at the Faculty of Social Sciences and Humanities of the Nova University of Lisbon, Portugal, where she founded and directs the Ethnomusicology Institute - Center for the Study of Music and Dance (INET-md). Her publications focus on cultural politics, musical nationalism, identity, music media, modernity, heritagization, and music and conflict in Portugal, Egypt, and Oman.

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