Trans-global readings: Crossing theatrical boundaries

Author:   Caridad Svich ,  Maria M. Delgado ,  Maggie B. Gale ,  Peter Lichtenfels
Publisher:   Manchester University Press
ISBN:  

9780719063251


Pages:   224
Publication Date:   01 April 2004
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Trans-global readings: Crossing theatrical boundaries


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Full Product Details

Author:   Caridad Svich ,  Maria M. Delgado ,  Maggie B. Gale ,  Peter Lichtenfels
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.20cm , Length: 21.60cm
Weight:   0.268kg
ISBN:  

9780719063251


ISBN 10:   0719063256
Pages:   224
Publication Date:   01 April 2004
Audience:   General/trade ,  Professional and scholarly ,  College/higher education ,  General ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

In an era of porous borders--both real and artistic--we urgently look to artists who can reach beyond traditional boundaries. This volume is a welcome and inspiring collection of artists' perspectives on the relationship of performance to a new set of global and aesthetic realities. As these artists discuss their lives, work, ideas and aspirations, readers will cross countless borders with them. --Thomas Sellar, Yale University<br> In a world where globalisation is seen as the great threat to native cultures, identity and art forms, and where, paradoxically, interdisciplinary, cross-fertilisation and formal experimentation are the buzz words of both the artist and academic, playwright/scholar Caridad Svich has brought together in this timely volume a broad range of international theatrical practitioners to reflect on their working processes and how the breaking of boundaries, both national and formal has affected their methodologies and their art. --Colin Teevan, playwright/translator<br> This is a book with a personality as vivid and quirky as the artists that appear beneath its covers, and while certain themes and perspectives float between the conversations, there is a fierce individuality to each of the pieces. The lasting impression is of the contemporary artist as a tightrope walker on the borders of culture, politics, aesthetics and technology. What keeps them up there is the elusive concept of creativity, and perhaps that is the book's greatest strength: it looks beyond theory and practice to the productive imagination. --Paul Heritage, Queen Mary, University of London<br>


In an era of porous borders--both real and artistic--we urgently look to artists who can reach beyond traditional boundaries. This volume is a welcome and inspiring collection of artists' perspectives on the relationship of performance to a new set of global and aesthetic realities. As these artists discuss their lives, work, ideas and aspirations, readers will cross countless borders with them. --Thomas Sellar, Yale University In a world where globalisation is seen as the great threat to native cultures, identity and art forms, and where, paradoxically, interdisciplinary, cross-fertilisation and formal experimentation are the buzz words of both the artist and academic, playwright/scholar Caridad Svich has brought together in this timely volume a broad range of international theatrical practitioners to reflect on their working processes and how the breaking of boundaries, both national and formal has affected their methodologies and their art. --Colin Teevan, playwright/translator This is a book with a personality as vivid and quirky as the artists that appear beneath its covers, and while certain themes and perspectives float between the conversations, there is a fierce individuality to each of the pieces. The lasting impression is of the contemporary artist as a tightrope walker on the borders of culture, politics, aesthetics and technology. What keeps them up there is the elusive concept of creativity, and perhaps that is the book's greatest strength: it looks beyond theory and practice to the productive imagination. --Paul Heritage, Queen Mary, University of London


Author Information

Caridad Svich is a member playwright of New Dramatists in New York City

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