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9781408129173

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'This is an exciting project. In opening out the question of performance training beyond the user-manual or the historical-methodological and into a philosophical context, this book is a timely and much needed resource' Anna Furse - Goldsmiths, University of London 'A key contribution of the work is its unwillingness to take the value of training for granted, but instead to take training's claims for value 'seriously', and to look closely at the terms upon which such value is constructed' Joe Kelleher - Roehampton University of London

'This is an exciting project. In opening out the question of performance training beyond the user-manual or the historical-methodological and into a philosophical context, this book is a timely and much needed resource' Anna Furse - Goldsmiths, University of London 'A key contribution of the work is its unwillingness to take the value of training for granted, but instead to take training's claims for value 'seriously', and to look closely at the terms upon which such value is constructed' Joe Kelleher - Roehampton University of London

'This is an exciting project. In opening out the question of performance training beyond the user-manual or the historical-methodological and into a philosophical context, this book is a timely and much needed resource' * Anna Furse - Goldsmiths, University of London * 'A key contribution of the work is its unwillingness to take the value of training for granted, but instead to take training's claims for value ‘seriously', and to look closely at the terms upon which such value is constructed' * Joe Kelleher - Roehampton University of London *

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John Matthews is Programme Leader of BA (Hons) Acting at Theatre Royal Plymouth. He has written two books published by Bloomsbury Methuen Drama: Training for Performance (2011) and Anatomy of Performance Training (2014).

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