Overview

The present volume endeavors to make a contribution to contemporary Whitehead studies by clarifying his axiological process metaphysics, including his theory of values, concept of aesthetic experience, and doctrine of beauty, along with his philosophy of art, literature and poetry. Moreover, it establishes an east-west dialogue focusing on how Alfred North Whitehead’s process aesthetics can be clarified by the traditional Japanese Buddhist sense of evanescent beauty. As this east-west dialogue unfolds it is shown that there are many striking points of convergence between Whitehead’s process aesthetics and the traditional Japanese sense of beauty. However, the work especially focuses on two of Whitehead’s aesthetic categories, including the penumbral beauty of darkness and the tragic beauty of perishability, while further demonstrating parallels with the two Japanese aesthetic categories of yûgen and aware. It is clarified how both Whitehead and the Japanese tradition have articulated a poetics of evanescence that celebrates the transience of aesthetic experience and the ephemerality of beauty. Finally it is argued that both Whitehead and Japanese tradition develop an aesthetics of beauty as perishability culminating in a religio-aesthetic vision of tragic beauty and its reconciliation in the supreme ecstasy of peace or nirvana.

Full Product Details

9781498514798

Table of Contents

Reviews

Tragic Beauty in Whitehead and Japanese Aesthetics embodies the best in comparative philosophy. Both Whitehead and various Japanese thinkers (Dogen, Nishida, etc.) are mutually illuminated in this clear and insightful study. Further, readers who are interested in the crucial issue of tragic beauty will be edified by the author's treatment of this topic even if they are not experts in Whitehead or Japanese thought. Highly recommended! -- Daniel A. Dombrowski, Seattle University

Tragic Beauty in Whitehead and Japanese Aesthetics embodies the best in comparative philosophy. Both Whitehead and various Japanese thinkers (Dogen, Nishida, etc.) are mutually illuminated in this clear and insightful study. Further, readers who are interested in the crucial issue of tragic beauty will be edified by the author's treatment of this topic even if they are not experts in Whitehead or Japanese thought. Highly recommended! -- Daniel A. Dombrowski, professor of philosophy, Seattle University [Tragic Beauty in Whitehead and Japanese Aesthetics] will be intriguing and stimulating not only to those scholars who engage in Whitehead studies but also to those who are concerned with the development of an East-West dialogue on aesthetics and aesthetic education. * Journal of Aesthetic Education * Tragic Beauty in Whitehead and Japanese Aesthetics embodies the best in comparative philosophy. Both Whitehead and various Japanese thinkers (Dogen, Nishida, etc.) are mutually illuminated in this clear and insightful study. Further, readers who are interested in the crucial issue of tragic beauty will be edified by the author's treatment of this topic even if they are not experts in Whitehead or Japanese thought. Highly recommended! -- Daniel A. Dombrowski, professor of philosophy, Seattle University

[Tragic Beauty in Whitehead and Japanese Aesthetics] will be intriguing and stimulating not only to those scholars who engage in Whitehead studies but also to those who are concerned with the development of an East-West dialogue on aesthetics and aesthetic education. * Journal of Aesthetic Education * Tragic Beauty in Whitehead and Japanese Aesthetics embodies the best in comparative philosophy. Both Whitehead and various Japanese thinkers (Dogen, Nishida, etc.) are mutually illuminated in this clear and insightful study. Further, readers who are interested in the crucial issue of tragic beauty will be edified by the author’s treatment of this topic even if they are not experts in Whitehead or Japanese thought. Highly recommended! -- Daniel A. Dombrowski, Seattle University

Tragic Beauty in Whitehead and Japanese Aesthetics embodies the best in comparative philosophy. Both Whitehead and various Japanese thinkers (Dogen, Nishida, etc.) are mutually illuminated in this clear and insightful study. Further, readers who are interested in the crucial issue of tragic beauty will be edified by the author's treatment of this topic even if they are not experts in Whitehead or Japanese thought. Highly recommended! -- Daniel A. Dombrowski, professor of philosophy, Seattle University

Author Information

Steve Odin teaches Japanese and East-West comparative philosophy at the University of Hawaii, where he has taught for more than thirty years.

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