Tragedy and the Modernist Novel

Author:   Manya Lempert (University of Arizona)
Publisher:   Cambridge University Press
ISBN:  

9781108496025


Pages:   290
Publication Date:   10 September 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Tragedy and the Modernist Novel


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Author:   Manya Lempert (University of Arizona)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 16.00cm , Height: 2.00cm , Length: 23.50cm
Weight:   0.500kg
ISBN:  

9781108496025


ISBN 10:   1108496024
Pages:   290
Publication Date:   10 September 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction: modernist tragedy; 1.1 Attic novelists; 1.2 Tragedy versus philosophy; 1.3 Tragic nature; 1.4 Modernism versus nihilism; 1.5 Tragic sociality and overview of chapters; 2. Hardy's theory of tragic character; 2.1 Neo-Greek modernism; 2.2 Hardy versus Plato and Aristotle; 2.3 Two Tesses; 2.4 Sue's reversals; 2.5 Scapegoating; 2.6 Nightmare skies; 3. Woolf and Darwin: tragic time scales and chances; 3.1 Immitigable trees; 3.2 Darwinian Tuchē; 3.3 Jane Ellen Harrison's ritual; 3.4 Gilbert Murray's tragedy; 3.5 Friedrich Nietzsche's love of fate; 3.6 Not 'Amor fati' but 'It is enough!'; 3.7 Woolf's tragic chances; 4. Camus's modernist forms and the ethics of tragedy; 4.1 Camus's idea of tragedy; 4.2 The moment in Camus and Woolf; 4.3 Camus versus Sartre; 4.4 Janine: a moment of being; 4.5 Jacques and Jessica: tragic affirmation; 4.6 The absurd Meursault; 4.7 The 'good modern nihilist' Clamence; 5. Beckett: against nihilism; 5.1 The unnamable: 'alleviations of flight from self'; 5.2 Losing species: from Mahood to worm; 5.3 Beckett's Oedipus and Lispector's mystic; 5.4 Nihilism and recoil from nihilism; 5.5 Beckett's ancient philosophy; 5.6 No counter-tragic calm; 5.7 Company: 'That was I. That was I then.'; 5.8 Palliative moments; Bibliography; Index.

Reviews

'This is an extraordinarily erudite book about literary modernism and the relationship between it and the history and theory of tragedy. Lempert's overall discussion of Greek tragedy is absolutely riveting and her close-reading of form is extraordinarily sensitive. Lempert has produced an extraordinarily bold argument that is likely to attract a great deal of attention not only from modernist scholars but from others further afield.' Ato Quayson, Stanford University, California 'The themes of this book could hardly be more resonant and enduringly relevant to modernist literary studies. This book pits tragedy and modern writing against nihilism - a way of renouncing or not caring about existence - finding a way for moments of light to counter total eclipse of meaning without callow resolution or pat consolation.' Ronan McDonald, University of Melbourne


'This is an extraordinarily erudite book about literary modernism and the relationship between it and the history and theory of tragedy. Lempert's overall discussion of Greek tragedy is absolutely riveting and her close-reading of form is extraordinarily sensitive. Lempert has produced an extraordinarily bold argument that is likely to attract a great deal of attention not only from modernist scholars but from others further afield.' Ato Quayson, Stanford University, California 'The themes of this book could hardly be more resonant and enduringly relevant to modernist literary studies. This book pits tragedy and modern writing against nihilism - a way of renouncing or not caring about existence - finding a way for moments of light to counter total eclipse of meaning without callow resolution or pat consolation.' Ronan McDonald, University of Melbourne 'This is an extraordinarily erudite book about literary modernism and the relationship between it and the history and theory of tragedy. Lempert's overall discussion of Greek tragedy is absolutely riveting and her close-reading of form is extraordinarily sensitive. Lempert has produced an extraordinarily bold argument that is likely to attract a great deal of attention not only from modernist scholars but from others further afield.' Ato Quayson, Stanford University, California 'The themes of this book could hardly be more resonant and enduringly relevant to modernist literary studies. This book pits tragedy and modern writing against nihilism - a way of renouncing or not caring about existence - finding a way for moments of light to counter total eclipse of meaning without callow resolution or pat consolation.' Ronan McDonald, University of Melbourne


Author Information

Manya Lempert is Assistant Professor of English at the University of Arizona. She specializes in the nineteenth- and twentieth-century novel, ancient and modern tragedy and philosophy, and theories of evolution.

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