T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America

Author:   Michelle R. Scott
Publisher:   University of Illinois Press
ISBN:  

9780252044885


Pages:   282
Publication Date:   28 February 2023
Format:   Hardback
Availability:   To order   Availability explained
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T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America


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Overview

Black vaudevillians and entertainers joked that T.O.B.A. stood for “tough on black artists.” But the Theater Owner’s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott’s institutional history details T.O.B.A.’s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920–1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.’s decline during the Great Depression. Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era.

Full Product Details

Author:   Michelle R. Scott
Publisher:   University of Illinois Press
Imprint:   University of Illinois Press
ISBN:  

9780252044885


ISBN 10:   0252044886
Pages:   282
Publication Date:   28 February 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

"""Clarifies the important role African American entrepreneurs played in promoting entertainment by and for Black people during a transitional period in American show business history. . . .T.O.B.A. Time is an excellent addition to [the University of Illinois Press] catalogue."" --NewCity Lit ""In clear and precise prose Scott chronicles the coalescence of Black vaudeville and how T.O.B.A. helped establish and nurture the initial flowering of what became the incalculably influential Black entertainment industry. Readers who enjoyed Entertaining Raceby Michael Eric Dyson and Little Devil in America by Hanif Abdurraqib will find Scott’s unique history compelling. "" --Booklist “Scott’s meticulously researched and exquisitely detailed account reveals the broad impact of the T. O. B. A. circuit and the complexities of its organization and operations. The discussions of individual performers--famous and obscure--and their experiences as they worked the circuit are riveting. This is a benchmark book in theater studies and the definitive account of this fascinating institution.”--Allyson Nadia Field, author of Uplift Cinema: The Emergence of African American Film & The Possibility of Black Modernity "


In clear and precise prose Scott chronicles the coalescence of Black vaudeville and how T.O.B.A. helped establish and nurture the initial flowering of what became the incalculably influential Black entertainment industry. Readers who enjoyed Entertaining Raceby Michael Eric Dyson and Little Devil in America by Hanif Abdurraqib will find Scott's unique history compelling. --Booklist Scott's meticulously researched and exquisitely detailed account reveals the broad impact of the T. O. B. A. circuit and the complexities of its organization and operations. The discussions of individual performers--famous and obscure--and their experiences as they worked the circuit are riveting. This is a benchmark book in theater studies and the definitive account of this fascinating institution. --Allyson Nadia Field, author of Uplift Cinema: The Emergence of African American Film & The Possibility of Black Modernity


Scott's meticulously researched and exquisitely detailed account reveals the broad impact of the T. O. B. A. circuit and the complexities of its organization and operations. The discussions of individual performers--famous and obscure--and their experiences as they worked the circuit are riveting. This is a benchmark book in theater studies and the definitive account of this fascinating institution. --Allyson Nadia Field, author of Uplift Cinema: The Emergence of African American Film & The Possibility of Black Modernity


Author Information

Michelle R. Scott is an associate professor of history at the University of Maryland, Baltimore County. She is the author of Blues Empress in Black Chattanooga: Bessie Smith and the Emerging Urban South.

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