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9781940696614

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""National Book Award–winning poet Hayes plunges into creative nonfiction with this book about another poet, Etheridge Knight, cautioning readers that 'this is not a biography.' Throughout, Hayes challenges genre constraints, bringing together personal reflections, drawings, and poems by Knight and himself, and constructing a work that is part speculative biography, part autobiography, and part critical essay. . . . 'How does someone become a poet?’ In this wonderfully lyrical text, Hayes suggests it isn't in the details of an individual's life, but through a hard-to-trace yet vital network of influences."" —Publishers Weekly ""There are no heroes to be found here but there are plenty of poets. There’s also an abundance of evidence regarding what makes a poet a poet. Not surprisingly the best instances transcend far beyond anything possibly offered in a classroom setting. Hayes has written a book in its best parts about the larger realm of living... and, for the most part, he does so with the self-scrutiny necessary to bring those lessons to bear on his own work. For there is no work without the life which both informs and is informed by it."" Patrick James Dunagan, Entropy ""Poets are people who promise to continue responding to what is actual. The poet's first poems comprise the promise. As time passes, one admires the continuation as much as the poems. This is why a young poet may be inspired simply by watching his mentor put on her coat and walk out the classroom door: she is in motion, heading towards the world of her materials, as she vowed to do years ago. The motion is the influence, the air stirred in the space between teacher and ephebe . . . In To Float In The Space Between, Terrance Hayes serves up a creative meditation on Influence. —On the Seawall ""Partly, this is a critical biography of the black poet Etheridge knight: how he came to be the poet and man he was, who did he influence and who was he influenced by. But it’s also a critical biography of Hayes himself. . . . In looking at Hayes looking at Knight, we see both figures, and the history of black poetics, more clearly."" Anthony Domestico, Commonweal ""To Float in the Space Between is simply amazing. It’s an investigation of Hayes’s family tree, a time-lapse of one poet’s bloom, and an homage to the seed(s) that started it all.""  Cody Lee, NewPages ""As is the case throughout Hayes’s work, To Float in the Space Between is a meditation on family; from the first, Hayes has fingered the grain of black families, whether linked by blood or duty or sexual tension or aesthetic kinship. To Float movingly bridges these concerns. . . . The 19 sections in Hayes’s book take their titles and focus from phrases in Knight’s most celebrated poem, 'The Idea of Ancestry.' Thus this collection offers a deep textural (as opposed to textual) encounter between two important and mercurial minds."" Ed Pavlic, The New York Times

National Book Award-winning poet Hayes plunges into creative nonfiction with this book about another poet, Etheridge Knight, cautioning readers that 'this is not a biography.' Throughout, Hayes challenges genre constraints, bringing together personal reflections, drawings, and poems by Knight and himself, and constructing a work that is part speculative biography, part autobiography, and part critical essay. . . . 'How does someone become a poet?' In this wonderfully lyrical text, Hayes suggests it isn't in the details of an individual's life, but through a hard-to-trace yet vital network of influences. -: Publishers Weekly Hayes is a poet of swallowed garrulity, imagined riposte, mock correction, and interior litigation. We all have, in our heads, a marionette theatre where we stage what we might have done and should have said. There we are always the conquering puppet. Hayes's poems are like a Pixar version of the mental marionette show, a dazzling space crammed with comic jabs. --Dan Chiasson, New Yorker Even as these deft poems pass by, they ring. Hayes leaves resonance cleaving the air. Hayes makes us alive to shimmer to doubleness, to vibration. He draws us in deeper to get crafted in his music, even as we fall further into it. --Tess Taylor, NPR Book Review If asked whose formal innovations have most influenced a current generation of younger poets, the first name out of my mouth would be Terrance Hayes. --Kenyon Review

Hayes is a poet of swallowed garrulity, imagined riposte, mock correction, and interior litigation. We all have, in our heads, a marionette theatre where we stage what we might have done and should have said. There we are always the conquering puppet. Hayes's poems are like a Pixar version of the mental marionette show, a dazzling space crammed with comic jabs. --Dan Chiasson, New Yorker Even as these deft poems pass by, they ring. Hayes leaves resonance cleaving the air. Hayes makes us alive to shimmer to doubleness, to vibration. He draws us in deeper to get crafted in his music, even as we fall further into it. --Tess Taylor, NPR Book Review If asked whose formal innovations have most influenced a current generation of younger poets, the first name out of my mouth would be Terrance Hayes. --Kenyon Review

Poets are people who promise to continue responding to what is actual. The poet's first poems comprise the promise. As time passes, one admires the continuation as much as the poems. This is why a young poet may be inspired simply by watching his mentor put on her coat and walk out the classroom door: she is in motion, heading towards the world of her materials, as she vowed to do years ago. The motion is the influence, the air stirred in the space between teacher and ephebe . . . In To Float In The Space Between, Terrance Hayes serves up a creative meditation on Influence. --On the Seawall National Book Award-winning poet Hayes plunges into creative nonfiction with this book about another poet, Etheridge Knight, cautioning readers that 'this is not a biography.' Throughout, Hayes challenges genre constraints, bringing together personal reflections, drawings, and poems by Knight and himself, and constructing a work that is part speculative biography, part autobiography, and part critical essay. . . . 'How does someone become a poet?' In this wonderfully lyrical text, Hayes suggests it isn't in the details of an individual's life, but through a hard-to-trace yet vital network of influences. --Publishers Weekly There are no heroes to be found here but there are plenty of poets. There's also an abundance of evidence regarding what makes a poet a poet. Not surprisingly the best instances transcend far beyond anything possibly offered in a classroom setting. Hayes has written a book in its best parts about the larger realm of living... and, for the most part, he does so with the self-scrutiny necessary to bring those lessons to bear on his own work. For there is no work without the life which both informs and is informed by it. Patrick James Dunagan, Entropy Hayes is a poet of swallowed garrulity, imagined riposte, mock correction, and interior litigation. We all have, in our heads, a marionette theatre where we stage what we might have done and should have said. There we are always the conquering puppet. Hayes's poems are like a Pixar version of the mental marionette show, a dazzling space crammed with comic jabs. --Dan Chiasson, New Yorker Even as these deft poems pass by, they ring. Hayes leaves resonance cleaving the air. Hayes makes us alive to shimmer to doubleness, to vibration. He draws us in deeper to get crafted in his music, even as we fall further into it. --Tess Taylor, NPR Book Review If asked whose formal innovations have most influenced a current generation of younger poets, the first name out of my mouth would be Terrance Hayes. --Kenyon Review

Author Information

Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry, Lighthead, which won the 2010 National Book Award for poetry, and three other award-winning poetry collections. His honors include a National Endowment for the Arts Fellowship, a Guggenheim Fellowship, and a 2014 MacArthur Fellowship. He is the poetry editor at the New York Times Magazine and also teaches at the University of Pittsburgh. American Sonnets for My Past And Future Assassin will also be forthcoming in 2018.

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