Awards

• Short-listed for Boardman Tasker Award for Mountain Literature 2022 (UK)
• Short-listed for Boardman Tasker Award for Mountain Literature.
• Short-listed for Wainwright Prize for Nature Writing 2022 (UK)

Overview

SHORTLISTED FOR THE WAINWRIGHT PRIZE AND THE BOARDMAN TASKER AWARD FOR MOUNTAIN LITERATUREWith great lyricism, Anna Fleming charts two parallel journeys: learning the craft of traditional rock climbing and the developing appreciation of the natural world it brings her. Through the story of her progress from terrified beginner to confident lead climber, she shows us how placing hand and foot on rock becomes a profound new way into the landscape. Anna takes us from the gritstone rocks of the Peak District and Yorkshire to the gabbro pinnacles of the Cuillin, the slate of North Wales and the high plateau of the Cairngorms. Each landscape, and each type of rock, brings its own challenges and invites us into the history of a place.

Full Product Details

9781838851798

Table of Contents

Reviews

Refreshing . . . she writes beautifully about landscape, and her passion for these ancient formations is physical and poetic * * Observer * * Fleming has written a wonderfully intimate account of climbing, filled with the rough texture of rocks and the hard-won elation of reaching for the skies * * Guardian * * Beautifully written. I loved it -- AMY LIPTROT Echoing and honouring some of the classics of climbing literature, the book is a fine introduction to the genre * * Economist * * [Anna Fleming]'s fascination with language infuses her descriptions of the textures of various stones and the mountains they form. In this regard, Time on Rock can take its place next to Nan Shepherd's The Living Mountain . . . Fleming's book is full of awe and wonder . . . Vital * * Spectator * * Engaging . . . Refreshing . . . Anna Fleming immerses herself in the mountains rather than conquering them. Like a climber scanning the crags for the next line, I'm left wanting to read more of her work * * Times Literary Supplement * * Climbing writing is a crowded field, but thanks to its carefully chiselled prose and bright, flinty intelligence, this absolute gem of a book . . . can hold its own against the most famous names in the pantheon * * Scotsman * * A climber's joy of insight and adventure -- ALASTAIR McINTOSH It reminds me of Nan Shepherd, only the kind of Nan Shepherd I could go for a pint with -- HELEN MORT * * author of Black Car Burning * * Much more than a climbing memoir, Anna Fleming's book is also a fascinating exploration of humanity's timeless relationship with rock . . . both fascinating and beautifully expressed, in a series of glinting, lyrical epiphanies * * Scotsman * *

Refreshing . . . she writes beautifully about landscape, and her passion for these ancient formations is physical and poetic * * Observer * * Fleming has written a wonderfully intimate account of climbing, filled with the rough texture of rocks and the hard-won elation of reaching for the skies * * Guardian * * So detailed that it's almost cinematic * * Scotsman * * Echoing and honouring some of the classics of climbing literature, the book is a fine introduction to the genre * * Economist * * Beautifully written. I loved it -- AMY LIPTROT A climber's joy of insight and adventure -- ALASTAIR McINTOSH It reminds me of Nan Shepherd, only the kind of Nan Shepherd I could go for a pint with -- HELEN MORT * * author of Black Car Burning * * Fascinating . . . absorbing * * Scotsman * * Excellent * * Scotsman * * It it is her profound connection to the land and the lessons these climbs have taught her that make this a powerfully personal account * * Scottish Field * *

Refreshing . . . she writes beautifully about landscape, and her passion for these ancient formations is physical and poetic * * Observer * * Fleming has written a wonderfully intimate account of climbing, filled with the rough texture of rocks and the hard-won elation of reaching for the skies * * Guardian * * So detailed that it's almost cinematic * * Scotsman * * Echoing and honouring some of the classics of climbing literature, the book is a fine introduction to the genre * * Economist * * Beautifully written. I loved it -- AMY LIPTROT A climber's joy of insight and adventure -- ALASTAIR McINTOSH It reminds me of Nan Shepherd, only the kind of Nan Shepherd I could go for a pint with -- HELEN MORT * * author of Black Car Burning * * A gorgeously written, elegant and sensual account of the intimate relationship between climber and rock, whether it's the gritstone of the Peak District or the granite of the Cairngorms. A peripatetic meditation on how we shape the rock and the rock shapes us * * UK Climbing * * Fascinating . . . absorbing * * Scotsman * * Excellent * * Scotsman * *

Refreshing . . . she writes beautifully about landscape, and her passion for these ancient formations is physical and poetic * * Observer * * Fleming has written a wonderfully intimate account of climbing, filled with the rough texture of rocks and the hard-won elation of reaching for the skies * * Guardian * * Beautifully written. I loved it -- AMY LIPTROT Echoing and honouring some of the classics of climbing literature, the book is a fine introduction to the genre * * Economist * * [Anna Fleming]'s fascination with language infuses her descriptions of the textures of various stones and the mountains they form. In this regard, Time on Rock can take its place next to Nan Shepherd's The Living Mountain . . . Fleming's book is full of awe and wonder . . . Vital * * Spectator * * Engaging . . . Refreshing . . . Anna Fleming immerses herself in the mountains rather than conquering them. Like a climber scanning the crags for the next line, I'm left wanting to read more of her work * * Times Literary Supplement * * So detailed that it's almost cinematic * * Scotsman * * A climber's joy of insight and adventure -- ALASTAIR McINTOSH It reminds me of Nan Shepherd, only the kind of Nan Shepherd I could go for a pint with -- HELEN MORT * * author of Black Car Burning * * A gorgeously written, elegant and sensual account of the intimate relationship between climber and rock, whether it's the gritstone of the Peak District or the granite of the Cairngorms. A peripatetic meditation on how we shape the rock and the rock shapes us * * UK Climbing * *

Author Information

Anna Fleming is a regular contributor to Caught by the River and has also published her work in various journals, magazines and anthologies. As well as writing for the Guardian, she keeps a regular blog, The Granite Sea, in which she writes about her experiences of the natural world. Anna is a qualified Mountain Leader who has also worked for the Cairngorms National Park Authority and completed a PhD with the University of Leeds. She lives in Edinburgh.@annamfleming | thegranitesea.wordpress.com

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