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"""Inspired by the messianic Marxism of Walter Benjamin, this is a critical work of exceptional depth and erudition that reflects on the interrelated predicament of architecture and history as these are compelled to confront a spontaneously escalating deconstruction of our received notions of both modernity and time. It is undeniable that these spontaneously disintegrate before the combined onslaughts of technological maximization, hyper-commodification and an ever increasing maldistribution of wealth."" Kenneth Frampton, Ware Professor of Architecture, Columbia University, USA, ""In nine acute essays, Gevork Hartoonian considers from multiple vantage points some of the most provocative questions raised by architecture and its history in the past decades. The erudite reverberations he orchestrates between critical theory, the humanities and the corpus of the architectural discourse itself reshape our understanding of the historical narrative and help to measure its productivity today. A brilliant contribution to the ongoing discussion about the architectural discipline and its struggle for autonomy."" Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts/New York University, USA. ""Few have attempted one of the key tasks for modern architectural history, namely to trace the profound relationships between 19th century theories and 20th century avant-garde practices through the lens of changing concepts of historicity. With provocative readings of Walter Benjamin in particular, Gervork Hartoonian, offers us fresh insights into the work of some of the key figures in architectural culture from Gottfried Semper to Mies van der Rohe."" Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, USA."

Inspired by the messianic Marxism of Walter Benjamin, this is a critical work of exceptional depth and erudition that reflects on the interrelated predicament of architecture and history as these are compelled to confront a spontaneously escalating deconstruction of our received notions of both modernity and time. It is undeniable that these spontaneously disintegrate before the combined onslaughts of technological maximization, hyper-commodification and an ever increasing maldistribution of wealth. Kenneth Frampton, Ware Professor of Architecture, Columbia University, USA, In nine acute essays, Gevork Hartoonian considers from multiple vantage points some of the most provocative questions raised by architecture and its history in the past decades. The erudite reverberations he orchestrates between critical theory, the humanities and the corpus of the architectural discourse itself reshape our understanding of the historical narrative and help to measure its productivity today. A brilliant contribution to the ongoing discussion about the architectural discipline and its struggle for autonomy. Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts/New York University, USA. Few have attempted one of the key tasks for modern architectural history, namely to trace the profound relationships between 19th century theories and 20th century avant-garde practices through the lens of changing concepts of historicity. With provocative readings of Walter Benjamin in particular, Gervork Hartoonian, offers us fresh insights into the work of some of the key figures in architectural culture from Gottfried Semper to Mies van der Rohe. Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, USA.

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Gevork Hartoonian is professor of Architectural History and Theory at the University of Canberra, Australia. He is the author of numerous books, including Global Perspectives on Critical Architecture: Praxis Reloaded (Routledge, 2015). He was the 2013 and 2016 visiting professor of Architectural History at Tongji University, Shanghai, China.

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