Timbre Composition in Electroacoustic Music
Author:   Simon Emmerson
Publisher:   Harwood-Academic Publishers
Volume:   10.2
ISBN:  

9783718655724


Pages:   250
Publication Date:   20 October 1994
Format:   Paperback
Availability:   In Print   Availability explained
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Timbre Composition in Electroacoustic Music


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Full Product Details

Author:   Simon Emmerson
Publisher:   Harwood-Academic Publishers
Imprint:   Harwood-Academic Publishers
Volume:   10.2
Weight:   0.460kg
ISBN:  

9783718655724


ISBN 10:   3718655721
Pages:   250
Publication Date:   20 October 1994
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Pierre Schaeffer and the significance of radiophonic art, John Dack; defining timbre - refining timbre, Denis Smalley; the something to hold on to factor in timbral composition, Leigh Landy; micro-time sonic design and timbre formation, Agostino Di Scipio; sound processing in Los Dados Eternos, Rajmil Fischman

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Author Information

Simon Emmerson is Professor of Music, Technology and Innovation at De Montfort University, Leicester. As a composer, he works mostly with live electronics, recently for Sond'Arte (Lisbon), and acousmatic work for the Inventionen Festival (Berlin). His books include The Language of Electroacoustic Music (1986), Music, Electronic Media and Culture (2000) and Living Electronic Music (2007). In 2009-10, he was DAAD Edgar Varese Visiting Professor at the Technische Universitat Berlin. Leigh Landy directs the Music, Technology and Innovation Research Centre at De Montfort University. His scholarship is divided between creative and musicological work, and his compositions have been performed around the globe. He is editor of the journal Organised Sound and author of several books including Understanding the Art of Sound Organization (2007) and Making Music with Sounds (2012). He directs the ElectroAcoustic Resource Site (EARS) projects and is a founding director of the Electroacoustic Music Studies Network (EMS).

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