Overview

The poems of Thomas Hardy (1840-1928) are key to understanding 19th, 20th and even 21st century poetry. This collection of fresh essays sheds new light on Hardy's poems--some of which have received little critical attention--from a variety of thematic and analytical approaches, offering a detailed picture of how his works are currently being read. The contributors discuss why Hardy's poetic genius is less and less overshadowed by his career as a novelist and highlight his passionate attention to small details, his delight in ""noticing things"" and his ""eye for...mysteries.""

Full Product Details

Author:   Adrian Grafe ,  Laurence Estanove
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.20cm , Length: 22.90cm
Weight:   0.318kg
ISBN:  

9780786495382

ISBN 10:   0786495383
Pages:   232
Publication Date:   25 September 2015
Recommended Age:   From 18 years
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Table of Contents Acknowledgments Introduction (Adrian Grafe and Laurence Estanove) I—Landscape into Memory “Thinking Like a Mountain”? Hardy’s Poetic Vision of “Environment” (Adrian Tait) Reclaiming English Bones: Corporeal Commemoration in Hardy’s War Poems (Melanie East) “Wild Wavering”: Between Pastoral and Elegy (Farhi Öz) II—Misalignments Rhyming Events and the Pessimistic Muse (Stephen Tardif) The End Game: Thomas Hardy’s Looking Glass (Richard D. Beards) From Pessimism to Idealism: The Pressure of Paradox (Laurence Estanove) III—Specters of Doubt and Faith Agnosticism and Freethinking: The Influence of Leslie Stephen (Ilaria Mallozzi) The Shadow of God in Poems of the Past and the Present (Stéphanie Bernard) Uncomfortably Numb: “In Tenebris” (Adrian Grafe) IV—Poetic Craft and Accidentals Messy Feelings, Tidy Forms: “Poems of 1912–13” (Emily Taylor Merriman) Challenging Time: Philological and Lexicographical Landscape (Emilie Loriaux) Hardy’s Crafting of Barnes (Heather Hawkins) Punctuating Voice and Space (Charles Lock) Epilogue: The Transcendence of Things Seen (Michael Edwards) About the Contributors Index

Reviews

Concentrates on [Hardy's] positive contributions to Victorian poetics...interesting essays...recommended --Choice This is an excellent collection of essays: far-reaching, consistently thoughtful, frequently insightful and indeed riveting. They range from the treatment of landscape to the placement of a comma, but the volume as a whole is a sustained effort at critique and celebration. --Phillip Mallett, University of St Andrews

"""Concentrates on [Hardy's] positive contributions to Victorian poetics...interesting essays...recommended""--Choice; ""This is an excellent collection of essays: far-reaching, consistently thoughtful, frequently insightful and indeed riveting. They range from the treatment of landscape to the placement of a comma, but the volume as a whole is a sustained effort at critique and celebration.""--Phillip Mallett, University of St Andrews"

Concentrates on [Hardy's] positive contributions to Victorian poetics...interesting essays...recommended --Choice; This is an excellent collection of essays: far-reaching, consistently thoughtful, frequently insightful and indeed riveting. They range from the treatment of landscape to the placement of a comma, but the volume as a whole is a sustained effort at critique and celebration. --Phillip Mallett, University of St Andrews

This is an excellent collection of essays: far-reaching, consistently thoughtful, frequently insightful and indeed riveting. They range from the treatment of landscape to the placement of a comma, but the volume as a whole is a sustained effort at critique and celebration. -- Phillip Mallett University of St Andrews

Author Information

Adrian Grafe is a professor of English at Artois University in France. He was an associate professor at the Sorbonne for 10 years, has published broadly on poetry, and was named a Fellow of the English Association in 2011. Laurence Estanove teaches English at Paris-Descartes University, France. The author of many essays on Hardy’s novels and poems, she is a cofounder of FATHOM (French Association for Thomas Hardy Studies) and coeditor of its online journal.

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