Thomas East and Music Publishing in Renaissance England

Author:   Jeremy L. Smith (Assistant Professor of Musicology, Assistant Professor of Musicology, University of Colorado, Boulder)
Publisher:   Oxford University Press Inc
ISBN:  

9780195139051


Pages:   248
Publication Date:   03 April 2003
Format:   Hardback
Availability:   To order   Availability explained
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Thomas East and Music Publishing in Renaissance England


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Overview

In the London of Shakespeare and William Byrd, Thomas East was the premier, often exclusive, printer of music. As he tells the story of this influential figure in early English music publishing, Jeremy Smith also offers a vivid overall portrait of a bustling and competitive industry, in which composers, patrons, publishers, and tradesmen sparred for creative control and financial success. It provides a truly comprehensive study of music publishing and a new way of understanding the place of musical culture in Elizabethan times. In addition, Smith has compiled the first complete chronology of East's music prints, based on both bibliographical and paper-based evidence.

Full Product Details

Author:   Jeremy L. Smith (Assistant Professor of Musicology, Assistant Professor of Musicology, University of Colorado, Boulder)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.526kg
ISBN:  

9780195139051


ISBN 10:   0195139054
Pages:   248
Publication Date:   03 April 2003
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

...the book is a valuable one: the data themselves are significant, and the theories stimulating...he has marshaled much new evidence and produced a fascinating series of hypotheses well worth further consideration. Renaissance Quarterly


<br>. ..the book is a valuable one: the data themselves are significant, and the theories stimulating...he has marshaled much new evidence and produced a fascinating series of hypotheses well worth further consideration. --Renaissance Quarterly<br> Smith has solved many mysteries concerning East's fascinating life and work....Jeremy Smith's book is a most welcome and invaluable addition to the growing literature on early music printing, and adds significantly to our knowledge of almost every facet of Elizabethan music printing. --Music and Letters<br>


.,. the book is a valuable one: the data themselves are significant, and the theories stimulating...he has marshaled much new evidence and produced a fascinating series of hypotheses well worth further consideration. --Renaissance Quarterly<br> Smith has solved many mysteries concerning East's fascinating life and work....Jeremy Smith's book is a most welcome and invaluable addition to the growing literature on early music printing, and adds significantly to our knowledge of almost every facet of Elizabethan music printing. --Music and Letters<br>


...the book is a valuable one: the data themselves are significant, and the theories stimulating...he has marshaled much new evidence and produced a fascinating series of hypotheses well worth further consideration. --Renaissance Quarterly Smith has solved many mysteries concerning East's fascinating life and work....Jeremy Smith's book is a most welcome and invaluable addition to the growing literature on early music printing, and adds significantly to our knowledge of almost every facet of Elizabethan music printing. --Music and Letters ...the book is a valuable one: the data themselves are significant, and the theories stimulating...he has marshaled much new evidence and produced a fascinating series of hypotheses well worth further consideration. --Renaissance Quarterly Smith has solved many mysteries concerning East's fascinating life and work....Jeremy Smith's book is a most welcome and invaluable addition to the growing literature on early music printing, and adds significantly to our knowledge of almost every facet of Elizabethan music printing. --Music and Letters


Author Information

Jeremy L. Smith is Assistant Professor of Musicology at the University of Colorado, Boulder.

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