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OverviewRestoration London's leading actor and theatre manager Thomas Betterton has not been the subject of a biography since 1891. He worked with all the best-known playwrights of his age and with the first generation of English actresses; he was intimately involved in the theatre's responses to politics, and became a friend of leading literary men such as Pope and Steele. His innovations in scenery and company management, and his association with the dramatic inheritance of Shakespeare, helped to change the culture of English theatre. David Roberts's entertaining study unearths new documents and draws fresh conclusions about this major but shadowy figure. It contextualizes key performances and examines Betterton's relationship to patrons, colleagues and family, as well as to significant historical moments and artefacts. The most substantial study available of any seventeenth-century actor, Thomas Betterton gives one of England's greatest performing artists his due on the tercentenary of his death. Full Product DetailsAuthor: David Roberts (Head of English, Birmingham City University)Publisher: Cambridge University Press Imprint: Cambridge University Press (Virtual Publishing) ISBN: 9780511762055ISBN 10: 0511762054 Publication Date: 05 July 2014 Audience: Professional and scholarly , Professional & Vocational Format: Undefined Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsIntroduction; 1. Look my lord, it comes: Betterton's Hamlet; 2. An obstinately shadowy Titan: Betterton in biography; 3. An actor of London: early years, 1635–1659; 4. A walk in the park: Betterton and the scene of comedy; 5. In the Duke's Company, 1660–1663; 6. Equal with the highest: Thomas Betterton and Henry Harris, 1663–1668; 7. Actor management: running the Duke's Company; 8. In the company of the Duke: Betterton and Catholic politics in the 1670s; 9. Union: Betterton and theatrical monopoly, 1682–1695; 10. Back to the future: breakaway to semi-retirement; 11. Books and pictures: Betterton and the Chandos portrait; Bibliography.Reviews'Roberts's biography of Betterton is the first one of that leading actor and theater manager to have been published since 1891 - clearly an overdue scholarly treatment and one that is impressive for its extensive use of archival materials, from the British Library and beyond.' Devoney Looser, Studies in English Literature 'This is an important book, and a valuable addition to the modest amount of modern writing we have on Betterton compared to that on the next great English actor-manager, David Garrick.' Kenneth Richards, Theatre Research International 'This scrupulously researched biography ... plugs a gaping hole in the history of London's theatres.' Studies in Theatre and Performance 'Roberts's biography of Betterton is the first one of that leading actor and theater manager to have been published since 1891 - clearly an overdue scholarly treatment and one that is impressive for its extensive use of archival materials, from the British Library and beyond.' Devoney Looser, Studies in English Literature 'This is an important book, and a valuable addition to the modest amount of modern writing we have on Betterton compared to that on the next great English actor-manager, David Garrick.' Kenneth Richards, Theatre Research International 'This scrupulously researched biography ... plugs a gaping hole in the history of London's theatres.' Studies in Theatre and Performance This scrupulously researched biography, notwithstanding the long labors of Judith Milhous, plugs a gaping hole in the history of London's theaters. It was, above all, Pepys and Cibber (and, for more specialist readers, John Downes) who forced on later generations the recognition acknowledged in the subtitle of this book [...] Always alert to the perplexity of Londoners through the last decades of the seventeenth century, Roberts presents us with a Betterton who recognized `the audience's need to revisit the past in order to make sense of the present' (p. 80). -Peter Thomson, STP 'Roberts's biography of Betterton is the first one of that leading actor and theater manager to have been published since 1891 - clearly an overdue scholarly treatment and one that is impressive for its extensive use of archival materials, from the British Library and beyond.' Devoney Looser, Studies in English Literature 'This is an important book, and a valuable addition to the modest amount of modern writing we have on Betterton compared to that on the next great English actor-manager, David Garrick.' Kenneth Richards, Theatre Research International 'This scrupulously researched biography ... plugs a gaping hole in the history of London's theatres.' Studies in Theatre and Performance This scrupulously researched biography, notwithstanding the long labors of Judith Milhous, plugs a gaping hole in the history of London's theaters. It was, above all, Pepys and Cibber (and, for more specialist readers, John Downes) who forced on later generations the recognition acknowledged in the subtitle of this book [...] Always alert to the perplexity of Londoners through the last decades of the seventeenth century, Roberts presents us with a Betterton who recognized 'the audience's need to revisit the past in order to make sense of the present' (p. 80). -Peter Thomson, STP Author InformationDavid Roberts is Professor and Head of English at Birmingham City University. His previous publications include The Ladies: Female Patronage of Restoration Drama (1989) and editions of Defoe's Colonel Jack, A Journal of the Plague Year and Lord Chesterfield's Letters. His articles and reviews have appeared in leading journals including Shakespeare Quarterly, The Review of English Studies, ELH, The Times Literary Supplement and New Theatre Quarterly. Tab Content 6Author Website:Countries AvailableAll regions |
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