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Overview"Throughout his career Danish artist Thomas Bang has focussed on various aspects of ""fragility"" and ""vulnerability"", both as physical and psychological states. His new monograph is a survey of his sculptural practice, which he understands as an ongoing investigation into and a reflection on the the ever-changing and provisional aspects of our human environment. Four multifaceted essays trace his formative years as a painter in the early 1960s, his subsequent development as a sculptor, his activities as part of the New York art scene since 1970, up to his most recent largescale installations and wall-mounted works. SELLING POINTS: . A new monograph surveying Thomas Bang's sculptural practice . Includes four essays tracing his career from the early 1960s up to his recent large-scale installations" Full Product DetailsAuthor: Mikkel Bogh , Magnus Thorø Clausen , Anne Ring Petersen , Anders TroelsenPublisher: Kerber Verlag Imprint: Kerber Verlag Weight: 2.559kg ISBN: 9783735607195ISBN 10: 3735607195 Pages: 352 Publication Date: 03 July 2023 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationThomas Bang, born Denmark 1938. Studies: Cleveland Institute of Art 1958-61; Yale University 1961-62, B.F.A; University of Southern Calif. 1962-64, M.F.A.; Fulbright Grant to Germany 1964-65; Teaching: Assistant Professor, Art, University of California 1965-70; Professor, Art, University of Rochester 1970-91, N.Y. Participated in numerous painting and drawing exhibitions in California and nationally 1962-1967: Biennial of Contemporary Painting, 1967, Whitney Museum of Art, New York City; Solo exhibitions: Museum of Contemporary Art 1964, La Jolla, Calif.; Santa Barbara Museum of Art 1965, Calif. Began working in the sculpture area in 1967. Participated in exhibitions focused on the new sculpture emerging within the areas of post-minimalism and process-art: Between Object and Environment 1969, Institute of Contemporary Art, Philadelphia; Soft Art 1969, New Jersey State Museum; When Attitudes Become Form 1969-70, Kunsthalle Bern / Museen Haus Lange, Krefeld / Institute of Contemporary Art, London; New Materials – New Procedures 1970, Trinity College, Hartford, Conn.; Twenty-six by Twenty-six 1971, The Francis Lehman Loeb Art Center, Poughkeepsie, N.Y.; Biennial Exhibition of Contemporary Art 1973, Whitney Museum of Art, N.Y.C. Tab Content 6Author Website:Countries AvailableAll regions |