Overview
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks across the long nineteenth century. Leading scholars survey twenty authors to show where writers who have gained reputations as either 'stylists' or as 'thinkers' exploit the interplay between 'the what' and 'the how' of their prose. The study demonstrates how celebrated stylists might, after all, have thoughts worth attending to, and that distinguished thinkers might be enriched for us if we paid more due to their style. More than reversing the conventional categories, this innovative volume shows how 'style' and 'thinking' can be approached as a shared concern. At a moment when, especially in nineteenth-century studies, interest in style is re-emerging, this book revaluates some of the most influential figures of that age, re-imagining the possible alliances, interplays, and generative tensions between thinking, thinkers, style, and stylists.
Full Product Details
Author: Michael D. Hurley (University Lecturer and Fellow in English, St Catharine's College, University of Cambridge) ,
Marcus Waithe (University Senior Lecturer, Magdalene College, University of Cambridge)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 16.40cm
, Height: 3.00cm
, Length: 24.20cm
Weight: 0.724kg
ISBN: 9780198737827
ISBN 10: 0198737823
Pages: 374
Publication Date: 11 January 2018
Audience:
General/trade
,
College/higher education
,
General
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Availability: To order
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Reviews
making a wonderful case not only for twenty prose stylists of the long nineteenth century, from Coleridge to T.S. Eliot, but also for the close analysis of prose more generally, as an illuminating and suggestive field of study. * Hazlitt Review * Thinking through Style is to be welcomed for its demonstration of the centrality and amplitude of style as a critical concern. It furnishes an advanced and eloquent education in the kinds of thinking and attention involved in a literary study of prose. * Andrew Hodgson, BARS * Conclusively, if not explicitly, the volume makes the case for the virtues and value of a stylish criticism. Thinking through Style represents English literary criticism at its best and acts as a salutary reminder of why we choose to do it. * Uttara Natarajan, Review of English Studies * Overall, this broad collection reminds us ... of the intellectual weight of the nineteenth century, and at its best it articulates its innovative point that, in Stevenson's words, 'style is the essence of thinking'. * David Greenham, Modern Language Review * Thinking through Style amounts to a thoughtfully stylish demonstration of the at once serious and pleasurable insights to be gained from a close attention to how style both simulates and stimulates thought. Whatever it is that we do when we think through style, the collection compellingly shows that in prose as in thinking, il ny a pas de hors style. * Yasmin Solomonescu, Modern Philology *
making a wonderful case not only for twenty prose stylists of the long nineteenth century, from Coleridge to T.S. Eliot, but also for the close analysis of prose more generally, as an illuminating and suggestive field of study. * Hazlitt Review * Thinking through Style is to be welcomed for its demonstration of the centrality and amplitude of style as a critical concern. It furnishes an advanced and eloquent education in the kinds of thinking and attention involved in a literary study of prose. * Andrew Hodgson, BARS * Conclusively, if not explicitly, the volume makes the case for the virtues and value of a stylish criticism. Thinking through Style represents English literary criticism at its best and acts as a salutary reminder of why we choose to do it. * Uttara Natarajan, Review of English Studies *
The main thrust of Nativism and Slavery, and what makes it both interesting and valuable, is the very powerful and convincing argument put forward by the author, and buttressed by numerous statistical tables, charts and maps, that the unparalleled success of the Know Nothings in the mid-1850s occurred because Northerners chose to express their intense antislavery sentiments through this party. --New York Times Book Review Perceptive....Tyler Anbinder has solved the mystery of how the antislavery tail could wag the nativist dog....This fine book steers the study of antebellum politics back on course from the diversion of ethnocultural historians. --The New Republic An important and provocative book. --Choice
Author Information
Michael D. Hurley teaches English at the University of Cambridge, where he is a University Lecturer and a Fellow of St Catharine's College. He has written widely on literary style and its relationship with feeling and thinking. His books include Faith in Poetry: Verse Style as a Mode of Religious Belief (Bloomsbury, 2017), G. K. Chesterton (Northcote House, 2012), and (co-authored with Michael O'Neill) Poetic Form (CUP, 2012). Marcus Waithe is a Fellow in English and University Senior Lecturer at Magdalene College, Cambridge. He is the author of William Morris's Utopia of Strangers: Victorian Medievalism and the Ideal of Hospitality (2006), and of numerous essays and articles on Victorian and twentieth-century topics. A collection of essays, co-edited with Claire White, entitled The Labour Literature in Britain and France, 1830-1930: Authorial Work Ethics is forthcoming with Palgrave. He is also completing a monograph entitled The Work of Words: Literature and the Labour of Mind in Britain, 1830-1930.
