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OverviewIn Rajasthan, India, a caste of musicians and mendicants, the Nath-Jogis, sing stories of kings who renounce their thrones to become wandering mendicants. They also sing of a god, Mahadeva, Shiva, who must abandon his world-renouncing life and marry, thus establishing the very caste that tells his story. This is the first detailed ethnomusicological study of the music of this caste, examining how the existential questions of the sung stories--of the conflict between loyalty to families or communities and the transcending desire to renounce the material world--are articulated in musical performances in which the caste's own ethnography is inscribed. Discussing the relationship between the performed repertoire and the caste's identity, the contexts of performance and ways in which familiar stories are effectively retold, the book offers a transcription, translation and musical and ethnographic analysis of one performance, by Kishori Nath, and shows how the questions the performances project are not merely speculative acts of self-identification but also challenges to audiences to consider their own responses. Full Product DetailsAuthor: John NapierPublisher: McFarland & Co Inc Imprint: McFarland & Co Inc Dimensions: Width: 17.80cm , Height: 1.80cm , Length: 25.40cm Weight: 0.608kg ISBN: 9780786471409ISBN 10: 0786471409 Pages: 352 Publication Date: 12 June 2013 Recommended Age: From 18 years Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsTable of Contents Acknowledgments A Note on Transliteration viii Preface Introduction One : Tonight You Will Hear the Wedding of God Two : The Many Voices of the Jogi Three : Singing the Wedding of God Four : Why a God Should Marry Five : A (Mis)Guided Search Six : The Wedding Seven : An Exceptional Performance, and a Contract with Tradition Eight : Parvati Rebound? Nine : Orientations, Mediations, Directions Glossary Appendix A—List of Performances and Recordings Appendix B—Episodic Structure Appendix C—Transcription of Thik 2 Appendix D—Repeated Melodies, Introduction of New Melodies, etc. Appendix E—Single Melodies and Voicing Appendix F—Doha and Voicing Chapter Notes Bibliography IndexReviewsAuthor InformationJohn Napier is a senior lecturer in musicology at the University of New South Wales, Sydney, Australia. As well as publishing internationally, he has spent nearly two decades introducing students to the “life-changing wonders” of India’s many musics, as well as helping them better understand the joys of their own traditions. Tab Content 6Author Website:Countries AvailableAll regions |