Overview

A philosophical-minded and syntactically experimental book of poetry. The philosopher Catherine Malabou once asked: ""What should we do so that consciousness of the brain does not purely and simply coincide with the spirit of capitalism?"" There Must Be A Reason People Come Here by Brian Foley is a collection of poems that attempts to answer this question by broadcasting the indirect effects of the lived condition of a subject squeezed under the structures of late capitalism. Lines like, ""Hope is a chemical, not a dream ignited in the eye / that can be heard sober."" And ""There is no sun here, / just habits of light"" work through the contradictions of what it means to be negatively capable. It is a collection of poems that refuses to conform to the norms of what poetry is and how it must say things.

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9781939568441

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Reviews

The poems in Foley's first collection, The Constitution, seem to undo themselves in order to form themselves. In their best moments, I feel as if I am writing the poems as they are being written, or at least witnessing their revelation. This is live poetry. As the collection progresses, and amendment after amendment keeps trying to comfort the state of self, I do not want the collection to end. In the final poem Foley writes 'we are very rarely / at the beginning / of something.' This book is a testament to that which we so want to hold onto and that which is forever escaping us - time. I have already read this book many times, and I will read it many more.--Dan Chelotti, Poetry Society of America, on The Constitution Foley's road-weary debut derives beauty from exhaustion and manages to counter, through the poems' sparseness and crispness, the kind of poetry whose raison d'etre is the exhaustion of beauty.--Publishers Weekly on The Constitution

Foley's road-weary debut derives beauty from exhaustion and manages to counter, through the poems' sparseness and crispness, the kind of poetry whose raison d'etre is the exhaustion of beauty.--Publishers Weekly on The Constitution The poems in Foley's first collection, The Constitution, seem to undo themselves in order to form themselves. In their best moments, I feel as if I am writing the poems as they are being written, or at least witnessing their revelation. This is live poetry. As the collection progresses, and amendment after amendment keeps trying to comfort the state of self, I do not want the collection to end. In the final poem Foley writes 'we are very rarely / at the beginning / of something.' This book is a testament to that which we so want to hold onto and that which is forever escaping us - time. I have already read this book many times, and I will read it many more.--Dan Chelotti, Poetry Society of America, on The Constitution--Dan Chelotti Poetry Society of America

Foley's road-weary debut derives beauty from exhaustion and manages to counter, through the poems' sparseness and crispness, the kind of poetry whose raison d'etre is the exhaustion of beauty. --Publishers Weekly on The Constitution The poems in Foley's first collection, The Constitution, seem to undo themselves in order to form themselves. In their best moments, I feel as if I am writing the poems as they are being written, or at least witnessing their revelation. This is live poetry. As the collection progresses, and amendment after amendment keeps trying to comfort the state of self, I do not want the collection to end. In the final poem Foley writes 'we are very rarely / at the beginning / of something.' This book is a testament to that which we so want to hold onto and that which is forever escaping us - time. I have already read this book many times, and I will read it many more. --Dan Chelotti, Poetry Society of America, on The Constitution

Author Information

Brian Foleyis the author ofThe Constitution, also published by Black Ocean, as well as several chapbooks. He currently teaches Ethics at the Colorado School of Mines in Golden, CO.

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