Theory for Theatre Studies: Memory

Author:   Milija Gluhovic (University of Warwick, UK) ,  Associate Professor of Theatre Studies Kim Solga (Western University, Canada) ,  Susan Bennett, PH.D. (University of Calgary Canada)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781474246651


Pages:   184
Publication Date:   12 November 2020
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Theory for Theatre Studies: Memory


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Author:   Milija Gluhovic (University of Warwick, UK) ,  Associate Professor of Theatre Studies Kim Solga (Western University, Canada) ,  Susan Bennett, PH.D. (University of Calgary Canada)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Weight:   0.308kg
ISBN:  

9781474246651


ISBN 10:   1474246656
Pages:   184
Publication Date:   12 November 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements Series Preface INTRODUCTION SECTION ONE: Mapping Memory: Theorizing Recollection The Classical and Medieval Practice of Mnemotechnics: How Memory Works on Stage Memory and Theatre in a Global Age SECTION TWO: Searching for Common Ground: Performance, Testimony, and Small Acts of Repair Case study 1: Lola Arias’s Minefield Case study 2: Yael Ronen’s Common Ground Case study 3: Robert Lepage's The Seven Streams of the River Ota SECTION THREE: Memory and Migration Case study 1: Andrea Levy’s Small Island Case study 2: André Amálio’s Portugal is not a small country Theatre and Memory in the Age of the Anthropocene BIBLIOGRAPHY Notes Index

Reviews

This is an excellent book that will be appreciated by theatre students, scholars, practitioners, and enthusiasts alike. A clear and lucid writer, Milija Gluhovic offers close readings of theatre and performance works that bring the theory he deftly explicates to the vibrant and global contexts of embodied practice. * Rebecca Schneider, Professor, Performance Studies, Brown University, USA *


Author Information

Milija Gluhovic is Associate Professor of Theatre and Performance at the University of Warwick, UK. His books include Performing European Memories: Trauma, Ethics, Politics (2013), International Performance Research Pedagogies: Towards an Unconditional Discipline? (2018), Performing the Secular: Religion, Representation and Politics (2017), and Performing the ‘New’ Europe: Identities, Feelings, and Politics in the Eurovision Song Contest (2013).

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