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OverviewFull Product DetailsAuthor: Milija Gluhovic (University of Warwick, UK) , Associate Professor of Theatre Studies Kim Solga (Western University, Canada) , Susan Bennett, PH.D. (University of Calgary Canada)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama Weight: 0.206kg ISBN: 9781474246675ISBN 10: 1474246672 Pages: 184 Publication Date: 12 November 2020 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements Series Preface INTRODUCTION SECTION ONE: Mapping Memory: Theorizing Recollection The Classical and Medieval Practice of Mnemotechnics: How Memory Works on Stage Memory and Theatre in a Global Age SECTION TWO: Searching for Common Ground: Performance, Testimony, and Small Acts of Repair Case study 1: Lola Arias’s Minefield Case study 2: Yael Ronen’s Common Ground Case study 3: Robert Lepage's The Seven Streams of the River Ota SECTION THREE: Memory and Migration Case study 1: Andrea Levy’s Small Island Case study 2: André Amálio’s Portugal is not a small country Theatre and Memory in the Age of the Anthropocene BIBLIOGRAPHY Notes IndexReviewsThis is an excellent book that will be appreciated by theatre students, scholars, practitioners, and enthusiasts alike. A clear and lucid writer, Milija Gluhovic offers close readings of theatre and performance works that bring the theory he deftly explicates to the vibrant and global contexts of embodied practice. * Rebecca Schneider, Professor, Performance Studies, Brown University, USA * Author InformationMilija Gluhovic is Associate Professor of Theatre and Performance at the University of Warwick, UK. His books include Performing European Memories: Trauma, Ethics, Politics (2013), International Performance Research Pedagogies: Towards an Unconditional Discipline? (2018), Performing the Secular: Religion, Representation and Politics (2017), and Performing the ‘New’ Europe: Identities, Feelings, and Politics in the Eurovision Song Contest (2013). Tab Content 6Author Website:Countries AvailableAll regions |