Overview

The first collection to consider what it means for theory to be considered as a species of world literature – and vice versa. What does it mean for theory to be considered as a species of not just literature but world literature? This volume offers a wide range of accounts of how the “worlding” of literature both problematizes the national categorizing of theory (e.g., French theory), and brings new meanings and challenges to the coming together of theory and literature. In sum, it presents theory as world literature as a viable alternative to more commonplace approaches to theory. Under such an approach to theory, what it means to be an African, American, or Asian “theorist” – let alone a French, German, or Spanish one – in the new millennium is as complicated (or simple) as what means to be “African,” “American,” or “Asian.” “Worlded” literature is not considered here as only the world literature of nations and nationalities. Rather, it is also the worlded literature of individuals crossing borders, mixing stories, and speaking in dialect. So too is it the worlded literature of the multinational corporate publishing industry wherein success in the global market is a major determinate of aesthetic and literary value. Offering accounts of what it means to consider theory as world literature, the authors in this pioneering collection explore the ways in which we might regard theory as connected and reconnected through global literary networks of increasing complexity and precarity. By approaching theory from this perspective, Theory as World Literature demonstrates how and why theory is more worldly now than ever.

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Reviews

This book is a brilliant tribute to an underacknowledged feature of theory, the fact that in the very awkwardness of its abstractions, it has served as an international vocabulary, empowering critics around the world to challenge the unconscious cognitive authority of the native speaker. Ambitious and never dutiful, this volume also makes a contribution in its own right to elucidating the mysteries of a worldliness, actual as well potential, beyond global capitalism. * Bruce Robbins, Old Dominion Professor in the Humanities, Columbia University, USA, and author of Atrocity: A Literary History (2025) * Taking its cue from Goethe’s urge towards a Weltliterature and Derrida’s subsequent deconstructive account of worldliness, Theory as World Literature offers an insightful reflection of what both literature and theory, as well as theory as literature and literature as theory, become in the contemporary context of ‘worlding’ our literary and scholarly practices. Through a wide array of critical essays ranging from post-colonial studies to psychoanalytical readings, from realism to phenomenology, Jeffrey R. Di Leo’s edited volume is a thought-provoking collection that will no doubt open new windows on and cut fresh pathways through theory and literature in an increasingly global and increasingly fragile environment. * Stéphane Vanderhaeghe, Associate Professor, University Paris 8-Vincennes-Saint-Denis, France *

""This book is a brilliant tribute to an underacknowledged feature of theory, the fact that in the very awkwardness of its abstractions, it has served as an international vocabulary, empowering critics around the world to challenge the unconscious cognitive authority of the native speaker. Ambitious and never dutiful, this volume also makes a contribution in its own right to elucidating the mysteries of a worldliness, actual as well potential, beyond global capitalism."" * Bruce Robbins, Old Dominion Professor in the Humanities, Columbia University, USA, and author of Atrocity: A Literary History (2025) * Taking its cue from Goethe’s urge towards a Weltliterature and Derrida’s subsequent deconstructive account of worldliness, Theory as World Literature offers an insightful reflection of what both literature and theory, as well as theory as literature and literature as theory, become in the contemporary context of ‘worlding’ our literary and scholarly practices. Through a wide array of critical essays ranging from post-colonial studies to psychoanalytical readings, from realism to phenomenology, Jeffrey R. Di Leo’s edited volume is a thought-provoking collection that will no doubt open new windows on and cut fresh pathways through theory and literature in an increasingly global and increasingly fragile environment. * Stéphane Vanderhaeghe, Associate Professor, University Paris 8-Vincennes-Saint-Denis, France *

"""This book is a brilliant tribute to an underacknowledged feature of theory, the fact that in the very awkwardness of its abstractions, it has served as an international vocabulary, empowering critics around the world to challenge the unconscious cognitive authority of the native speaker. Ambitious and never dutiful, this volume also makes a contribution in its own right to elucidating the mysteries of a worldliness, actual as well potential, beyond global capitalism."" * Bruce Robbins, Old Dominion Professor in the Humanities, Columbia University, USA, and author of Atrocity: A Literary History (2025) *"

Author Information

Jeffrey R. Di Leo is Professor of English and Philosophy at the University of Houston-Victoria, USA. He is editor and founder of the critical theory journal symploke, editor-in-chief of American Book Review, and Executive Director of the Society for Critical Exchange and its Winter Theory Institute.

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