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In this lucid and erudite book, Megan Fullerton Strollo tackles one of the more confounding issues of the Bible: What are we to make theologically of the books of Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther which contain few, if any, direct references to God? Combining sensitive literary treatments of each with attention to their historical contents, Strollo discerns a recalibration of the relationship between divine in/activity and human agency in light of lived realities. In so doing, Strollo offers new access to the thought-world of som of these most well-loved books of the Bible--allowing her reader to sense anew how the perspectives of these books are, indeed, freshly relevant.--Martien Halvorson-Taylor, The University of Virginia Megan Fullerton Strollo has advanced theology of the Hebrew Bible in a vital direction, leaving behind the old paradigm dominated by the idea of dramatic divine action and shaping a theology for the books; this approach often ignored. She has constructed a theological framework for the books of the Megilloth, grounded in the tension between divine inactivity and human agency. The illumination of these concerns against the backdrop of social turmoil during the Second Temple period offers abundant resources for bringing modern concerns to a new kind of conversation around these texts.--Mark McEntire, Belmont University Megan Fullerton Strollo's study of the Megilloth is a pioneering work of biblical theology in a new key. Rather than impose systematic categories on the text, she provides a sensitive literary reading of the treatment of the themes of divine absence and human initiative. She sets this reading against the historical setting of Judah in the Persian and early Hellenistic periods, an era of foreign, colonial, rule. The result is a new appreciation of the theological innovation that animates these too often neglected books.--John J. Collins, Yale Divinity School The God we meet in the later works of the Hebrew Bible often seems distant and mysterious, and Megan Fullerton Strollo's innovative, lucid study examines divine in/activity and corresponding human agency in the books of the Megilloth. Her careful intertextual readings of key terms and thoughtful historical analysis demonstrate that Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther are not merely an incidental or liturgical grouping. She shows that these five books wrestle with the nature of the sacred in the midst of sweeping historical changes. While not collapsing real differences, Strollo's discussion of implicit theology and human agency in these works illuminates their content in new and profound ways.--Samuel L. Adams, Union Presbyterian Seminary

Megan Fullerton Strollo has advanced theology of the Hebrew Bible in a vital direction, leaving behind the old paradigm dominated by the idea of dramatic divine action and shaping a theology for the books; this approach often ignored. She has constructed a theological framework for the books of the Megilloth, grounded in the tension between divine inactivity and human agency. The illumination of these concerns against the backdrop of social turmoil during the Second Temple period offers abundant resources for bringing modern concerns to a new kind of conversation around these texts.--Mark McEntire, Belmont University Megan Fullerton Strollo's study of the Megilloth is a pioneering work of biblical theology in a new key. Rather than impose systematic categories on the text, she provides a sensitive literary reading of the treatment of the themes of divine absence and human initiative. She sets this reading against the historical setting of Judah in the Persian and early Hellenistic periods, an era of foreign, colonial, rule. The result is a new appreciation of the theological innovation that animates these too often neglected books.--John J. Collins, Yale Divinity School The God we meet in the later works of the Hebrew Bible often seems distant and mysterious, and Megan Fullerton Strollo's innovative, lucid study examines divine in/activity and corresponding human agency in the books of the Megilloth. Her careful intertextual readings of key terms and thoughtful historical analysis demonstrate that Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther are not merely an incidental or liturgical grouping. She shows that these five books wrestle with the nature of the sacred in the midst of sweeping historical changes. While not collapsing real differences, Strollo's discussion of implicit theology and human agency in these works illuminates their content in new and profound ways.--Samuel L. Adams, Union Presbyterian Seminary

In this lucid and erudite book, Megan Fullerton Strollo tackles one of the more confounding issues of the Bible: What are we to make theologically of the books of Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther which contain few, if any, direct references to God? Combining sensitive literary treatments of each with attention to their historical contents, Strollo discerns a recalibration of the relationship between divine in/activity and human agency in light of lived realities. In so doing, Strollo offers new access to the thought-world of som of these most well-loved books of the Bible--allowing her reader to sense anew how the perspectives of these books are, indeed, freshly relevant. Megan Fullerton Strollo has advanced theology of the Hebrew Bible in a vital direction, leaving behind the old paradigm dominated by the idea of dramatic divine action and shaping a theology for the books; this approach often ignored. She has constructed a theological framework for the books of the Megilloth, grounded in the tension between divine inactivity and human agency. The illumination of these concerns against the backdrop of social turmoil during the Second Temple period offers abundant resources for bringing modern concerns to a new kind of conversation around these texts. Megan Fullerton Strollo's study of the Megilloth is a pioneering work of biblical theology in a new key. Rather than impose systematic categories on the text, she provides a sensitive literary reading of the treatment of the themes of divine absence and human initiative. She sets this reading against the historical setting of Judah in the Persian and early Hellenistic periods, an era of foreign, colonial, rule. The result is a new appreciation of the theological innovation that animates these too often neglected books. The God we meet in the later works of the Hebrew Bible often seems distant and mysterious, and Megan Fullerton Strollo's innovative, lucid study examines divine in/activity and corresponding human agency in the books of the Megilloth. Her careful intertextual readings of key terms and thoughtful historical analysis demonstrate that Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther are not merely an incidental or liturgical grouping. She shows that these five books wrestle with the nature of the sacred in the midst of sweeping historical changes. While not collapsing real differences, Strollo's discussion of implicit theology and human agency in these works illuminates their content in new and profound ways.

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Megan Fullerton Strollo is assistant professor of biblical languages at Union Presbyterian Seminary in Richmond, VA.

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